The Ghanaian entertainment industry has been plunged into mourning following the sudden and heartbreaking death of legendary highlife musician Dada Kwaku Duah, popularly known as Dada KD.
The tragic news was first reported by Asaase Radio on Friday, May 16, 2025, with family sources confirming the musician’s passing.
Ghanaian highlife legend Dada Kwaku Duah, widely known as Dada KD, has reportedly passed away at the age of 44.
The news of his passing was reportedly confirmed by family sources through Asaase Radio on Friday, May 16, 2025.
In a landmark initiative aimed at revolutionising the marketing communications sector in Ghana, Publicis West Africa is pleased to announce it has signed an affiliate agreement with Empire Marcomm, a leader in below-the-line (BTL) and experiential marketing in Ghana. This partnership heralds a new era for both brands, characterised by innovation, integration, and impactful engagement at a local market level.
The affiliate agreement launches under the bold and dynamic banner, “EMPIRE, POWERED BY PUBLICIS” and represents the powerful collaboration that merges Empire’s extensive local expertise and creative adaptability with the global strategic capabilities of Publicis. Facilitating the provision of comprehensive marketing solutions that are immersive, datadriven, and culturally relevant.
“We are excited to embark on this new chapter in our journey, which significantly enhances our impact within the Ghanaian market,” stated Koo Govender, CEO of Publicis Groupe Africa.
“Empire’s remarkable track record in experiential marketing, when combined with our extensive global reach, creates a formidable synergy of creativity and execution.” Said Anand Badami, SVP, Publicis West Africa.
In the words of Bola Ray, the founder and Executive Director of Empire, “it’s going to be a game changer” with Empire coming under the umbrella of the world’s leading communications network.
READ ALSO: Yvonne Okoro Takes On Vlogger Over False Quote
With this momentum, the alliance is well-positioned to uncover new opportunities, broaden its client portfolio, and establish new standards for brand engagement in Ghana and beyond.
Publicis West Africa is an integral part of the global Publicis Groupe, providing integrated marketing, digital transformation, and brand strategy solutions across the continent. With a focus on creativity, technology, and local insights, Publicis empowers brands to thrive in an interconnected world.
Empire Marcomm is a Ghanaian agency specialising in BTL, experiential, and activation marketing. Recognised for its innovative concepts and meticulous execution, Empire has earned a distinguished reputation as a trusted partner for brands seeking to engage meaningfully with their audiences.
Ghanaian music producer Dr. Ray Beat, born Nana Yaw Nkrumah, has marked his 40th birthday by unveiling his newly constructed home on social media.
The Accra-based producer shared images of the modern residence, expressing gratitude and reflecting on his journey in the music industry.
Ghanaian actress Yvonne Chinyere Okoro Okereke has taken legal action against a popular vlogger over a Facebook post she claims falsely attributed deeply personal statements to her.
The post, dated May 15, 2025, features a lengthy quote that portrays the star as having been “dumped many times” and grappling with heartbreak, a portrayal her legal team says is entirely fabricated.
In a sharply worded letter sent by Mo Law Consult, legal representatives for Ms. Okoro, the firm accuses Naija Boss Vlog of publishing a “false and defamatory” statement under the pretense of a direct personal admission from the actress. The quote in question narrates a vulnerable tale of repeated romantic disappointment and personal growth — sentiments that Okoro flatly denies ever expressing.
The excerpt, which has since circulated widely on social media, begins: “Yes, I’ve been dumped, many times. I am 40 years for God’s sake…” and goes on to frame a heartfelt journey through emotional pain and resilience, signed off as if spoken by Yvonne Okoro herself.
But Okoro’s legal team insists there is no truth to the statements or their attribution. “Our Client categorically states that she has never made such comments, whether publicly or privately,” the legal notice reads. “The attribution of these statements to her is entirely false and defamatory.”
READ ALSO: I Was Awake Throughout The Process – Fella Makafui Recounts Harrowing C-Section Experience
According to her lawyers, the damage goes beyond mere gossip. The unauthorized post, they argue, misrepresents Okoro’s private life, threatens her public image, and carries the risk of inflicting “significant and irreparable harm” to her career and personal reputation.
As part of the legal demand, the actress’s solicitors have issued three clear requirements:
a. The immediate and permanent removal of the said post from your vlog and any other associated platforms;
b. A full and unreserved public apology acknowledging that the statements are false and defamatory; and
c. The publication of the said apology on your vlog and on all other platforms where the defamatory material has appeared or is likely to have reached.
A deadline of 7 p.m. today, May 16, has been set for compliance. Failure to meet the demands, the letter warns, will result in legal action without further warning.
The case reflects a growing trend in African entertainment circles, where public figures are increasingly resorting to legal means to counteract misinformation and reputational damage caused by online commentary. In an era where social media blur the lines between fact and fiction, celebrities like Okoro are drawing firm boundaries around their narratives.
Read the full letter below.
Ghanaian actress and entrepreneur Fella Makafui has shared a harrowing yet unforgettable memory from the birth of her daughter, revealing that she remained fully conscious during the entire Caesarean section procedure.
In an interview with Pulse Ghana, Fella recounted how doctors opted for surgery after discovering that her baby couldn’t position properly in the womb, making vaginal delivery unsafe.
Recounting the moment, she said, “I was actually awake throughout the process, I was seeing myself because of the CS. I had 2 doctors, one on my left and one on my right. I could just feel myself moving, like they are forcing something to come out, but I wasn’t feeling any pain. The doctors kept asking if I was okay.”
READ ALSO: AJ Poundz Reveals Near-Death Experience After Umbilical Hernia Diagnosis
She described an especially jarring moment during the operation. “The funny part was, I turned myself to watch the other nurse on my left side, that’s when I saw this mirror and I saw my stomach, then I panicked because it was so scary and traumatising. I didn’t know that’s what was going on so it was scary and I think a few minute later, I heard the baby’s cry. I remember that I was just crying especially when they brought Island. My partner then was asked to be inside but I think he was scared so he was outside, and they just rushed the baby to him. It was a very good experience.”
Beyond the delivery, Fella Makafui said her entire pregnancy was difficult and painful, marked by health challenges that took a toll on her physically and emotionally.
“The first 3 months were hell for me, I was literally sick. I lost weight because I had zero appetite. I could cough and cough blood, it was that bad. Along the line, I had to do CS because Island couldn’t turn well. I didn’t want to do CS, I wanted to deliver a normal birth, but I had no choice,” the YOLO actress revealed.
Kumawood actor Kwame Borga, known in private life as Kendrick Osei Kwame, has boldly claimed that he is the originator of short video skits in Kumasi, not fellow actor Kwaku Manu.
Speaking on Sean City TV’s The Dice Show hosted by Ruthy, Borga did not mince words as he dismissed widely circulated claims that credit Kwaku Manu and his younger brother with pioneering the skit trend in the Ashanti Region.
Ghanaian rap heavyweight Strongman Burner, born Osei Kwaku Vincent has started the year 2025 on a very high note.
The acclaimed rapper has been spotted standing proudly next to his latest acquisition: a sleek black Lexus NX SUV.
Ghanaian actress and media personality Matilda Adjoa Densu, widely known as AJ Poundz, has shared a harrowing health experience that came close to taking her life.
During an interview with ZionFelix, AJ revealed that she had been unknowingly living with an umbilical hernia, a condition she only discovered by chance.
The revelation came when she accompanied her mother, who was receiving treatment for goiter, to the University of Ghana Medical Centre. A doctor and close friend, during what should have been a routine visit, noticed something odd about her navel. Although AJ initially dismissed the concern, the doctor insisted on examining her more closely.
That moment changed everything. The physical check-up confirmed she had developed an umbilical hernia. The diagnosis came as a shock to both AJ and her husband. Medical staff advised immediate surgery and made it clear that any delay could have resulted in serious, even fatal, consequences.
READ ALSO: KSM Laments Lack Of Structure In Ghana’s Film Industry Despite Talent And Resources
Doctors described her situation as one of sheer luck—had the surgery been postponed, the outcome could have been dire. Reflecting on the ordeal, AJ admitted that she had experienced earlier symptoms but chose to ignore them, assuming they were harmless.
She also expressed alarm at how little is known or discussed about umbilical hernias in Ghana. Her concerns deepened after learning of a woman who died from the same condition, an issue only identified after her passing. This, AJ believes, points to a larger need for public education and awareness around such silent but dangerous health threats.
AJ closed her account with deep appreciation for the doctors and nurses at UGMC. She credited their vigilance, speed, and dedication with saving her life, saying their intervention made all the difference in her survival.
Watch the full interview below.
Celebrated Ghanaian comedian and filmmaker Kwaku Sintim-Misa, widely known as KSM, has expressed concern about the persistent structural void in Ghana’s film industry, noting that despite a wealth of talent and creative energy, the sector is being held back by the absence of a functioning framework.
During a conversation on The Career show aired on Joy Learning TV and Joy News, KSM praised the industry’s potential but underscored a critical need for direction and planning.
“In Ghana, our film industry is amazing. We have all the ingredients for a great film industry, but I don’t think we have the recipe right yet,” he said.
While some creatives have managed to carve out successful approaches, he emphasized that the majority still grapple with the fundamentals of sustainable filmmaking.
“We have some segments of Ghanaians who now have the recipe, but for the most part, that’s what we have struggled with in the industry,” he added.
KSM attributed the issue to the industry’s relative infancy, explaining that Ghana has yet to reach the maturity seen in other markets. He cited Nigeria’s Nollywood as an example of an ecosystem that has had years to evolve and fine-tune its operations.
“Unfortunately, it is still a growing industry. We can’t compare the film industry in Ghana to that of Nigeria. The Nigerians have had a longer time of being exposed to making films. And the more they make them, the more they get better. The more they produce, the more they devise ways of distributing them. Eventually, you realize you’ve developed a system that works for you,” KSM stated.
Unlike Nigeria, Ghana still lacks a consistent and efficient distribution system. KSM described the financial strain many filmmakers endure, noting that once production costs are covered, the struggle begins anew to get the films in front of audiences.
READ ALSO: “I’m The Chosen One” After Years Of Setbacks – King Promise Reflects on TGMA Win
“Somebody will hustle to make money, then hustle to pay for the film. And after paying for the film, the actors, and everyone else involved, they now have to hustle again just to distribute the film. There are no proper distribution outlets,” he lamented.
He reflected on earlier days when physical formats were king—films were copied onto CDs or DVDs and distributed via street hawking, an approach he believes illustrates the absence of a true system.
“It got to a point where, when you made a film in Ghana, it went straight to CD. Even before DVDs, there were CDs. To sell the film, you had to mount a float and sell the CDs. This is not a distribution system. The recipe is not working,” he stressed.
Though he acknowledged the efforts of contemporary filmmakers who get their movies into cinema spaces, KSM noted that the lack of synchronized distribution across cities weakens the industry’s overall impact.
“We have some great filmmakers in Ghana. Even now, I know great films. In places with a developed system, once a film is released in one cinema, it is simultaneously shown in others, Accra, Kumasi, Takoradi, Sunyani, reaching over 200 cinemas at the same time. But in Ghana, because we don’t have a well-developed system, a film may premiere at Silverbird in Accra, and then the producers have to manually arrange for showings in Kumasi. That kind of model doesn’t support industry growth,” KSM concluded.
