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Some People Told My Family I Had Gone Mad When I Started Making Skits – Dr Likee Reveals

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For years, Ebenezer Akwasi Antwi struggled to break free from the same narrow roles on screen, but a bold switch during the COVID-19 pandemic flipped the script, turning doubt into a defining moment in his rise as a comedy force.

Speaking on 3Music TV, he revisited his early days on set, where opportunities were limited and typecasting was the norm. Directors, he explained, often saw him as either muscle for gangster roles or a background presence, leaving little space to stretch his craft.

“I was always given roles as a gangster or a side role. I was always looking for a chance to get a bigger role. But the directors were always giving me such roles, and I couldn’t say no because it was very difficult to appear on screen in those days. So any role I was given, I took and I played it well,” he said.

That phase stretched on until the disruption of the COVID-19 pandemic, which became an unlikely turning point. With traditional film production slowed, he pivoted to creating short comedy skits for online audiences. Around the same time, he shed his signature dreadlocks for a low cut, a visual reset that signalled something new.

READ ALSO: GTA To Provide Dr Likee With Two Free Flight Tickets To London For His Show

The shift unsettled people close to him. As his content began to circulate, whispers followed, and concern grew among family and friends who struggled to understand the sudden change.

“When I started making skits, some people told my family I had finally gone mad,” he recalled.

What started as doubt eventually gave way to traction. His videos found an audience, his delivery clicked, and the same platforms that once carried uncertainty began amplifying his rise. The rebrand stuck, and with it came a new identity that resonated far beyond his earlier roles.

Reflecting on his journey, he tagged the transition as a matter of timing rather than chance, grounded in patience and belief.

“There’s time for everything. Switching from playing gangster roles to comedy roles happened at the right time. In God’s time, he would make things work,” he said.

No Bad Blood With Guru, Okyeame Kwame Clarifies Long-Standing Rumours

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Okyeame Kwame has shut down recurring rumours of a fallout with Guru. He stressed that their relationship remains strong and free of tension.

In a recent interview with Okay FM, the veteran hiplife artiste made it clear that there is no hostility between them, adding that he holds Guru in high regard as one of his favourite musicians.

“The last time I met Guru was about a week ago, and we hugged for about two hours. I love him so much… what makes you think Guru and I are not on good terms?” he quizzed.

He went on to explain that the speculation about strain in their relationship stems from a separate disagreement that had nothing to do with Guru directly. According to him, the issue was tied to an earlier misunderstanding involving Obrafour, whom he accused of escalating matters through a diss record that also featured Guru.

Okyeame Kwame emphasised that his frustration was directed entirely at Obrafour and not Guru.

READ ALSO: Okyeame Kwame Opens Up On U.S. Struggles

“The only person I was angry with was Obrafour because he was my close friend and also a senior colleague. I never got angry with Guru because if I were in his shoes, I would have done the same thing, maybe even more,” he said.

He traced the roots of the disagreement back to around 2009, following the release of “Killing The Game,” a collaboration between himself and Obour, which he said was intended to address certain issues within the hiplife industry at the time.

Okyeame Kwame indicated that Obrafour later responded in a way he felt misinterpreted the song’s purpose, and eventually went on to collaborate with Guru on the widely discussed track “Nkasiebo.”

He added that he was disappointed by Obrafour’s reaction, which he believes indirectly suggested criticism of his intentions.

Watch his statement below.

@amoakotheblogger I have no problem with Guru,I love him and hold no grudges, even though he dissed me — Okyeame Kwame #tiktok #tiktokentertainment #amoakotheblogger #viralvideo ♬ original sound – AMOAKOTHEBLOGGER 🇬🇭🇬🇭

VIDEO: 2026 TGMAs: ‘Blacko should win Artiste of the Year else we riot’ – Kwesi Arthur states

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As anticipation builds toward the Telecel Ghana Music Awards, Ghanaian rapper Kwesi Arthur has publicly declared his support for Black Sherif to win the coveted Artist of the Year award.

Speaking during a live session with content creator MadelnGhana on April 16, 2026, the “Okay Switch” hitmaker stated that based on the year under review, Black Sherif stands out as the most deserving candidate.

“Looking at the year, I think Black Sherif should be Artist of the Year. If he no win, we go riot,” Kwesi Arthur said, a remark that has since stirred conversations across social media.

During the discussion, Kwesi Arthur threw the question back to MadelnGhana, who named Medikal as another strong contender, citing his impact over the past year.

However, Kwesi Arthur maintained that Black Sherif remains the standout candidate, particularly highlighting his critically acclaimed project Iron Boy as a leading force in the Album/EP of the Year category.

Black Sherif heads into the 2026 awards season with significant momentum, having secured the highest number of nominations—nine in total.

His nominations span major categories, including Artist of the Year, Best Hiplife/Hip-Hop Artiste of the Year, and Best Hip-Hop Song for his hit track Where Dem Boys.

His popular single Sacrifice has also earned nominations in multiple categories, including Best Afropop Song, Best Music Video, Songwriter of the Year, and Most Popular Song.

In addition, his collaboration So It Goes with Nigerian star Fireboy DML has been nominated for International Collaboration of the Year.

Fameye Opens Up On Strained Relationship With Shatta Wale, Hopes For Reconnection

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Fameye has revealed that his once-close relationship with Shatta Wale has faded over time, and he is hoping to repair the bond so they can work together again.

Speaking in an interview with Joy Prime on April 16, 2026, the Ghanaian artiste reflected on how what used to be a lively and supportive friendship has gradually gone silent, leaving him unsure about what triggered the change.

He said they previously kept in regular contact, often discussing music collaborations and even planning to record songs together, but that rapport has since cooled unexpectedly.

“One person I really need his verse on my song is Shatta Wale, but it seems he’s upset with me. We were very good friends, and we used to talk a lot. We were even planning to have records together. I don’t know what happened, but all of a sudden, he’s not minding me,” he said.

Fameye admitted he is still trying to understand what might have caused the strain, adding that he believes his intentions in all his interactions have always been positive.

“I don’t know if I said something about him somewhere, and he’s not happy with it. To the best of my knowledge, I’m a very genuine person. I do things with clear intentions so even if I did something, it’s not in a bad way,” he explained.

READ ALSO: Okyeame Kwame Opens Up On U.S. Struggles

He also indicated that their communication has completely stalled, pointing out that messages he sends to Shatta Wale now go unanswered.

“At first, we used to communicate on a daily basis, but now, he doesn’t respond to my messages,” he lamented.

Despite the distance, Fameye maintained admiration for Shatta Wale, describing him as someone he still respects both musically and personally.

He added that his desire to reconnect goes beyond music features, stressing that he values the relationship itself.

“I just want him to know I love him, I listen to his songs and I like his personality. I really need his verse in my studio, but it’s not just because I need him in my studio, but I feel he’s a nice person to work with and I want to be close to him,” Fameye further stated.

Edwin Gyimah Appeals For Job Opportunities After Regaining His 8-Bedroom House

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Former Black Stars defender Edwin Gyimah has made a public appeal for employment opportunities as he looks to rebuild his life following a recent family dispute over his property.

Speaking on Auntie Naa’s Oyerepa Afutuo programme on Oyerepa TV, Gyimah revealed that his immediate priority is securing a job that will help him regain stability.

“Now what I am seeking the most is a job. I believe that if I get a job now, that is where I can start from,” he said.

The former defender indicated that he is open to a wide range of roles, particularly within football and the education sector. He called on football clubs, universities, and secondary schools to consider him for any available positions.

“So I plead that anyone, be it a team, a school or university, secondary school, I am available,” he stated.

Gyimah emphasised that his years in professional football, coupled with his life experiences, have equipped him to mentor young people, especially those pursuing careers in sports.

“I believe I can help with my experience because I have more insight into football and especially life itself,” he added.

He also highlighted a common challenge among aspiring footballers—lack of direction and the right mindset—stressing his desire to guide young talents through both skill development and personal growth.

Okyeame Kwame Opens Up On U.S. Struggles

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Veteran Ghanaian rapper Okyeame Kwame has recounted a difficult stretch of his life. He describes how he struggled for survival abroad, far from the fame he once enjoyed at home.

In an interview on Okay FM with Nana Romeo, he traced the turning point back to the fallout from his third album, which failed to connect with listeners as expected. At the same time, the rise of Lord Kenya began to shift audience attention away from him, leaving his confidence shaken.

He recalled standing backstage at an event, preparing to perform, only to hear the host poll the audience on who they wanted next. The response was overwhelmingly in favour of Lord Kenya, a moment that deflated him and forced him to confront the changing tide. That experience made his decision to leave for the United States feel like the only viable option when the opportunity came.

Life in America was a stark contrast. He took on night shifts at a hospital and lived in a basement with his longtime associate Okyeame Quophi. Daily routines were dictated by survival rather than creativity, and even getting to work became a source of tension.

READ ALSO: “I’m One Of The Best” – Epixode Declares His Place On Ghana’s Stage Scene

He explained that he relied on a relative for rides to his job, but one evening he overheard a conversation that changed his approach. The woman who usually drove him had returned home exhausted, and her husband questioned why he could not take the bus instead. Hearing that, he chose to stop asking for help and make his own way.

What followed was one of the bleakest moments he has ever experienced. After waiting in the cold for more than twenty minutes without seeing a bus, he set off on foot through the snow. Along the way, the emotional weight of his situation overwhelmed him. He later realised that the tears running down his face had frozen in the bitter conditions, a detail that underscored just how low he had fallen.

At that point, he turned inward and questioned why he was going through such hardship. In that moment of reflection, he felt a clear conviction that he was neglecting his true calling. The thought struck him that he already possessed a gift and recognition in music, yet had abandoned it to struggle in a foreign land.

That realisation marked a shift. He decided to return to Ghana, where he gradually rebuilt his career and re-established himself as one of the country’s most respected artists.

Reflecting, he described the experience as a lesson rather than a defeat. He stressed that everyone carries a unique ability, whether in music, communication, acting, or writing, and warned against ignoring it.

Watch his statement below.

Retraction And Apology To Harold Amenyah Over An Old Video

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Award-winning Ghanaian actor, Harold Amenyah, has firmly denied the ongoing rumours suggesting that his marriage to Irene Amenyah has ended.

The clarification comes in response to widespread speculation on social media, where users linked an old video to claims that the couple had divorced.

The rumours gained traction after a publication by Zionfelix titled “Ladies If You Find A Good Man, Don’t Go Through His Phone” took over social media trends.

Although, the now deleted article didn’t reference the old video that Harold’s marriage has hit the rocks.

However, the publication has been misinterpreted by a lot of Ghanaians, hence bringing trouble to Harold’s marriage

Following this, Zionfelix Media wishes to apologise to Harold for any harm the article has caused him and his beloved wife

We are deeply sorry for the misconception of Ghanaians to draw their own conclusions that the article was in a bad light concerning Harold’s marriage.

We wish Harold and his beloved wife all the best their marriage has to offer yet.

“I’m One Of The Best” – Epixode Declares His Place On Ghana’s Stage Scene

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Ghanaian dancehall artiste Epixode says his standing as one of Ghana’s standout live performers is the result of years of disciplined practice and a deep-rooted background in visual arts, which continues to shape his creative identity.

Speaking in a recent interview with Kafui Dey, he stressed that his concerts are intentionally crafted as multi-layered experiences where music, imagery and performance art merge rather than exist separately.

“I’m proud that I’m one of the best performers in Ghana. It’s not because I’ve said it but because I’ve seen what I’ve done with my performance over the years,” he said.

Epixode explained that his academic and practical exposure to the arts plays a defining role in how he develops stage concepts, helping him move from idea creation to full execution with a visual-first approach.

“My arts background also helped shape whatever concept I want to perform. When you come to Epixode’s concert, definitely, you will have a bit of Ragga, Afrobeats and arts. It’s not just listening to the music; you will see things,” he stated.

He added that every element of his stage presentation is carefully considered, including costumes, which he views as part of the storytelling rather than simple styling choices.

“Even the costume alone is another experience. I’m a whole record label,” he said.

READ ALSO: Lilwin Insists His Movie Soundtracks Still Stand Above All Others

Tracing his journey back to childhood, Epixode revealed that his interest in art began long before his music career took centre stage, sparked by an early encounter that introduced him to drawing.

“When I was young, my mother was always on tour, so my aunt used to take me to school. One day, when my aunt took me to class, I met a guy who actually cartooned anything. He taught me how to draw and that’s where my arts started from,” he recounted.

He noted that his creative direction was not inherited but developed independently through curiosity and consistent exploration, eventually leading him to formally study art.

“I don’t know anyone in my family who draws, but I had to follow up from there. Then I decided to do arts in school,” he disclosed.

Music and visual art remain inseparable for Epixode, constantly influencing each other and shaping his overall creative output.

“With the arts, I think it’s just me trying to be curious about something and I want to create it. I have some of my music inspired by art. You can’t take art out of the music neither can you take music out of the art,” he further stated.

Kuami Eugene Is The G.O.A.T. Of Young Acts In The Ghanaian Music Industry – Fameye Declares

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Ghanaian musician Fameye has showered massive praise on his colleague and former Lynx Entertainment signee Kuami Eugene.

Speaking in an interview with George Quaye on Prime Time which airs on Joy Prime, Fameye did not hold back in expressing his admiration for the “Angela” hitmaker.

Lilwin Insists His Movie Soundtracks Still Stand Above All Others

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Kwadwo Nkansah, well known as Lilwin, has looked back at the period that helped cement his name in Kumawood, and he credits movie soundtracks as a major driver of that success.

In an interview with ZionFelix, the actor made a bold claim about his impact, maintaining that no film soundtrack in Ghana has reached the kind of popularity attached to songs from the movies he featured in.

He highlighted tracks such as “Metanfo” and “Big Boy Weezy,” explaining that their widespread appeal was tied to his presence in those productions. Over time, he said, the songs became inseparable from his brand, often drawing the loudest reactions whenever he performs them.

He argued that films he was involved in produced some of the most successful soundtracks in the country, listing titles like “Metanfo,” “Big Boy Weezy,” and “Azonto Ghost” as examples. In his view, the level of recognition those songs achieved remains unmatched, with audiences across different age groups able to sing along with ease.

Lilwin also linked that era to the emergence of other acts, pointing to Bisa Kdei as someone whose musical journey coincided with the rise of movie soundtracks. He suggested that the timing played a role in shaping the singer’s career.

READ ALSO: Lilwin Claims “Alkayida” Outshines Guru’s Hits, Says It Defined His Career

Beyond that, he expressed the belief that Bisa Kdei’s decision to step away from soundtrack work did not serve the industry well. According to Lilwin, staying active in that space could have further strengthened the connection between Ghana’s film and music sectors.

Reflecting on how their paths crossed, he recounted that his growing popularity as an actor overlapped with Bisa Kdei’s rise. During the production of “Azonto Ghost,” he initially performed to a Gasmilla track, but high costs pushed producers to seek an alternative, which ultimately brought Bisa Kdei into the project.

He maintained that Bisa Kdei’s withdrawal from soundtrack production came at a time when demand for his work was high, arguing that focusing on major film collaborations instead of stepping away entirely would have been a better move.

Watch the interview below.