African dancehall king, Shatta Wale, and Bishop Ajajurajah have started a new lighthearted beef on social media.
In this new trending beef, the public figures have resorted to showing off their assets.
A video that has surfaced on social media shows Bishop Ajagurajah first showing off his Rolls-Royce,
Shatta Wale replied by showing off his expensive fleet of cars, including a Rolls-Royce, BMW, Benz, etc.
Renowned Ghanaian highlife musician, George Kwabena Adu, popularly known as Kwabena Kwabena, has announced his candidacy for the Student Representative Council (SRC) presidency at the University of Professional Studies, Accra (UPSA).
His manager, Nana Poku Ashis, confirmed Kwabena Kwabena’s political aspirations, revealing that the artist, who is currently pursuing a bachelor’s degree at UPSA, is determined to serve his fellow students.
Kwabena Kwabena’s foray into student politics follows a growing trend of Ghanaian musicians seeking leadership roles in their respective academic institutions.
He joins the ranks of artists like Samini, who previously served as SRC President at GIMPA, Guru, who currently holds the same position at the University of Ghana, and Dr. Cryme, who recently won the SRC presidency at Methodist University.
The highlife crooner’s educational background includes secondary education at St. Peter’s Secondary School and a Higher National Diploma (HND) from Accra Polytechnic.
His decision to further his education and now enter student leadership demonstrates his commitment to personal and academic growth.
Years after making demeaning allegations against Bulldog, Shatta Wale has finally rendered an apology.
In 2022, the Ghanaian dancehall artiste claimed Bulldog, his former manager, had a hand in the death of Fennec Okyere.
On the back of the allegation, Bulldog, known in private life as Lawrence Nana Asiamah Hanson, filed a defamation lawsuit against Shatta Wale.
However, in a letter issued on Wednesday, April 30, 2025, Shatta Wale retracted the statement and apologised to Bulldog.
READ ALSO: Yaw Siki Opens Up About Fame, Emptiness And Finding God
“On November 2, 2022, I published a series of posts on my social media pages and handles about MR. LAWRENCE NANA ASIAMAH HANSON alias BULLDOG. The publications included a statement that I have now come to know was generally misunderstood or misconstrued as MR. HANSON’s confessions to me that he had a hand in the murder of FENNEC OKYERE (alias FENICKS).
“I wish to retract each of the statements in the said series of publications, as I did not mean to say that MR. HANSON had a hand in the murder of FENNEC OKYERE. I also wish to apologise to MR. HANSON and all the persons whom my publications of November 2, 2022, have caused pain, agony, anguish, shame, ridicule, or hatred,” he wrote.
Read Shatta Wale’s apology letter below.
Gospel music sensation Celestine Donkor and her husband, Kofi Donkor, have made a heartwarming commitment to support the educational future of the two children of the late DJ Awana.
A highly respected DJ at the Multimedia Group Limited who passed away recently.
The generous pledge was announced during the one-week commemoration ceremony held for DJ Awana at Tema Community 2.
The gospel singer and her husband, who also manages her music career, revealed that they would sponsor the education of DJ Awana’s two children as a token of their deep appreciation for the unwavering support the late DJ consistently showed towards their music ministry.
According to the couple, this act of kindness is their way of honoring DJ Awana’s memory and acknowledging his significant contributions to promoting their work.
One of the children who will benefit from this educational scholarship is currently in Junior High School, while the other is at the Senior High School level.
DJ Awana, a prominent and well-loved figure in Ghana’s DJing fraternity, sadly passed away on April 6, 2025, after a brief illness.
His passing sent shockwaves through the entertainment industry, with many colleagues and fans expressing their condolences and paying tribute to his impactful career.
Actor, Kwadwo Nkansah “Lil Win,” has launched a strong critique against Ghanaian television stations, accusing them of unauthorized streaming of his and other local filmmakers’ productions.
In a trending video, the actor issued a stern warning to executives of these television stations.
He accused them of disrespecting Ghanaian content creators’ intellectual property rights while investing heavily in foreign productions, particularly Asian soap operas.
Lil Win voiced his frustration over the significant financial resources Ghanaian television stations allocate to acquiring and promoting foreign series.
He cited the immense popularity of Indian soap operas like “Kumkum Bhagya,” to the extent that the Multimedia Group even hosted its cast in Ghana.
He questioned the apparent disparity in investment, asking why similar effort and financial backing are not directed towards supporting and showcasing Ghanaian film projects.
“If TV stations can pay to air Indian soap operas, why can’t they invest in our local movies for their audiences?”
Lil Win passionately questioned, highlighting the perceived undervaluation of local content.
Father Ankrah has highlighted the significant monetization hurdles faced by creatives in Ghana who primarily use TikTok.
According to him, while the popular short-form video platform excels at boosting visibility, it provides minimal to no direct financial rewards for creators based in the country.
In a recent interview on the Fire and Ice podcast, Father Ankrah clearly stated that achieving viral status on TikTok within Ghana does not automatically equate to financial success for creators.
He pointed out that despite amassing substantial views and follower counts, Ghanaian TikTok users earn very little directly from the platform itself.
“TikTok can make you go viral and famous, but here in Ghana, we don’t earn money directly from TikTok regardless of your views or following,” Father Ankrah explained, shedding light on the disparity.
He further clarified that the main avenues for income generation for TikTok creators in Ghana are through brand endorsements and the platform’s TikTok Live feature, rather than direct payments from TikTok based on content performance.
“We only make money from adverts and TikTok Live,” Father Ankrah emphasized, contrasting TikTok with other platforms. “The only platforms that actually pay creators in Ghana are YouTube and Facebook.”
“TikTok will get you the fame but not wealth”
— SIKAOFFICIAL🦍 (@SIKAOFFICIAL1) April 30, 2025
Ghanaian content creator and actor, Father Ankrah elaborates monetization in the Ghanaian content creation space. pic.twitter.com/gSlcP1K3QA
After stepping away from the limelight of secular music to pursue a spiritual calling, former Ghanaian hiplife artiste Yaw Siki is shedding new light on the inner journey behind his dramatic transformation.
Appearing on the GTV Breakfast Show, the one-time chart-topper spoke candidly about the unseen toll of fame and the powerful encounter that rerouted his life from stages to sermons.
“I remember when I had just transformed and started following the Lord Jesus. While waiting on Him, some people called and wanted me on a song and at a show, but I had to deny myself — even though I had nothing at the time,” he recalled.
Yaw Siki, known for his breakout hit Wopɛ Dodo, admitted that from the outside, everything looked perfect — sold-out shows, rising stardom, and the thrill of achieving what many dream of. But on the inside, he was unraveling.
“Initially, it was fun, pleasurable, and I was achieving the dream. But then I became empty while I was there. Two years after Wopɛ Dodo, I felt so empty in my room — there was no joy.”
READ ALSO: How Can A Country Achieve 24-Hour Economy Without Electricity? – Prince David Osei Questions
In that stillness and silence, something stirred, a whisper not of the crowd, but of conviction.
“And in that emptiness, there was that small voice leading, urging, or inspiring me to come to the Lord and to serve Him.”
That voice became his compass, and with it, he abandoned the stage for the scripture, choosing faith over fame. Now a gospel preacher, Yaw Siki stands unwavering in his decision.
When asked if he ever longed for the life he left behind, his response was swift and certain, “Not at all.”
Ghanaian actor, Prince David Osei, has reignited public frustration over the country’s worsening power crisis, calling out what many see as the glaring contradiction between government rhetoric and daily reality.
Taking to X (formerly Twitter), the outspoken actor questioned the feasibility of achieving a 24-hour economy, a major talking point in Ghana’s political discourse, promised by President John Mahama, when the nation can barely keep the lights on.
“How can a country achieve a 24-hour economy when basic utilities like electricity can’t even be provided for 10 hours? It seems like a distant dream. #stopdumsornow,” he wrote.
His post, sharp and direct, has quickly gained traction online, sparking fresh debate about the return of “dumsor” — the local term for Ghana’s erratic power supply.
READ ALSO: Richard Nii-Armah Quaye Bows Out Of Quick Angels And Bills Micro-Credit
Osei’s frustration reflects a growing sentiment among Ghanaians: that conversations about economic transformation ring hollow when foundational services remain unreliable. A 24-hour economy, many argue, requires more than ambition; it needs infrastructure, planning, and above all, consistency.
Critics have pointed out that the idea of round-the-clock productivity loses its credibility when businesses and households are left in the dark for hours at a time.
Meanwhile, others have chastised Prince David Osei for keeping mute about Dumsor when the Nana Akufo-Addo government was in power.
How can a country achieve a 24-hour economy when basic utilities like electricity can't even be provided for 10 hours? It seems like a distant dream. #stopdumsornow Good morning 🇬🇭
— H.E Prince David Osei (@PrinceDavidOsei) April 29, 2025
Ghanaian rapper and singer, King Paluta is making waves in the music scene following an explosive year marked by a string of chart-topping hits.
But despite his success, his manager, Cofy Dela, is puzzled as to why the “Makoma” hitmaker continues to be labeled an underdog in the race for the prestigious Artiste of the Year (AOTY) at the upcoming Telecel Ghana Music Awards (TGMA).
Speaking in an interview with Graphic Showbiz, Cofy Dela passionately challenged the perception that King Paluta is a lesser contender compared to fellow AOTY nominees like Stonebwoy and King Promise.
He argued that Paluta, known in private life as Thomas Adjei Wireko, has outshined his peers with the release of not one, but three hit songs during the TGMA year under review—“Makoma,” “Aseda,” and “For the Papping (Apicki).”
“By the records available, King Paluta deserves it more than any other artiste in the AOTY category because his presence and impact in the year under review are dominant across the board,” Dela asserted.
“Among the contenders, can anyone mention even two hit songs in the award year? King Paluta doesn’t have only one or two but three hits. They are street anthems that dominated the airwaves and resonated deeply with the people.”
According to Dela, King Paluta’s influence extended beyond entertainment.
He noted that during last year’s election campaign season, Paluta’s songs were a staple at political rallies, energizing crowds and cementing his popularity on the ground—something Dela says other contenders lacked.
He also expressed concern about how the AOTY debate has increasingly focused on international reach and even physical appearance—factors he believes should not overshadow the TGMA’s clearly defined criteria.
“It’s frustrating that the narrative is being shaped by things that have nothing to do with the actual impact the artiste made during the year,” Dela added.
Looking beyond the awards, Dela spoke about what inspired him to manage King Paluta, praising the artist’s unwavering dedication to his craft.
“He is the true definition of perseverance, dedication, and consistency. This belief has fueled the desire to help him realise his full potential and achieve success,” he said.
With a growing fan base, consistent hit releases, and powerful street appeal, King Paluta is no longer just a rising star—he is staking his claim as one of Ghana’s most influential musical voices.
Ghanaian actress and entrepreneur Fella Makafui has sparked a relatable conversation on social media, openly questioning the dwindling interest in romantic relationships after a prolonged period of being single.
Taking to X (formerly Twitter), the ex-wife of rapper Medikal posed a thought-provoking question to her followers, delving into the potential reasons behind this shift in perspective.
In her candid tweet, Makafui wondered if her current lack of enthusiasm for relationships stemmed from the duration of her single status or the approaching milestone of her 30th birthday.
“I want to ask a very honest question 🤭 Do you become that unbothered and uninterested in relationships when you’ve been single for a while?
Or is it because I’m getting closer to my 30s ?” she wrote, inviting her audience to share their own experiences and insights.
I want to ask a very honest question 🤭
— Fella Precious Makafui (@fellamakafui_) April 26, 2025
Do you become that unbothered and uninterested in relationships when you’ve been single for a while?
Or is it because I’m getting closer to my 30s ?
