Ghanaian actor and artiste, Frank Naro, has reacted to false claims about him and Emelia Brobbey.
In a statement copied to Zionfelix.net, Naro, born Frank Osei, said his attention was drawn to false statements, tarnishing his image and Emelia Brobbey.
He asked the public to disregard these allegations.
The 16-year-old son of Bishop Salifu Amoako involved in a fatal car crash at East Legon that led to the deaths of two people has been remanded once again.
Elrad Amoako, who is facing charges that include eight counts of manslaughter, negligent harm, dangerous driving, and driving without a license, was initially remanded after his court appearance last Friday. He pleaded not guilty to these charges during his first appearance before the Family and Juvenile Court.
It remains unclear whether the juvenile has been sent to a correctional facility or placed in the custody of his parents, in accordance with section 23 of the Juvenile Justice Act, 2003 (ACT 653).
The hearing was not open to the public, according to Graphic Online. This provision allows a juvenile court to commit a minor to the care of a parent, guardian, close relative, or other responsible person, or to remand the juvenile to a nearby remand home if not released on bail.
The case has been adjourned until November 13.
According to Assistant State Attorney Ebenezer Yaw Acquah, although underage and without a valid driver’s license, the juvenile’s family regularly allowed him access to their vehicles.
On October 12, 2024, the family held a birthday celebration for him at an event center in East Legon. During the event, the juvenile requested the keys to his mother’s Jaguar F-Pace from Linda Bonsu Bempah, who, as his personal assistant, was holding the keys while overseeing the event. Linda handed him the keys, and he took the car to A&C Mall with a friend, where they met other friends waiting in two SUVs.
The prosecutor explained that the three vehicles formed a convoy, with the accused leading in his mother’s Jaguar. At one point along Dzane-Ashie Road, despite other vehicles nearby, the juvenile accelerated rapidly to display the car’s speed, driving recklessly toward a T-junction at Mensah Wood Avenue.
He reached the junction as an Acura driven by Joseph Ackah was slowing to make a turn. The prosecutor stated that the accused “rammed into the rear of the Acura,” causing a violent collision that propelled both cars across the road and into a wall, damaging an ECG pole. Both cars immediately caught fire, quickly turning into a raging blaze. The juvenile and his passenger managed to escape, but those in the Acura were trapped.
Ackah had been driving his employer’s two daughters—one a toddler—and their two friends, both 12 years old. Witnesses attempted to extinguish the flames but could not contain the fire. Ackah forced his door open, falling into the flames before bystanders could drag him to safety.
One of the volunteers rescued the toddler from the burning car, while others freed her sister from the back seat. Sadly, despite attempts, the two other girls could not be saved as the fire intensified.
The prosecutor added that the investigation revealed the accused was driving recklessly, endangering the lives of others on the road. The juvenile admitted to taking the keys from Linda Bempah and driving with his friend to the A&C Mall.
As the Nollywood in Diaspora Film-Food Festival gears up to bring cinema enthusiasts from around the world to Accra from 27th to 29th December, the initial response to the film submission call has been staggering. Within just 24 hours of opening submissions, the festival received entries from over 20 countries, highlighting the eagerness of filmmakers globally to participate. Surprisingly, though, there’s a notable absence of submissions from Ghana itself, the host country, leading to pointed questions and reflections within the Ghanaian film industry.
For a festival hosted on home soil, one might expect a strong showing of Ghanaian talent. Instead, the initial silence has some observers questioning whether local filmmakers misunderstood the festival’s intent, perceiving it as a Nollywood-only affair rather than an opportunity for broader African and diaspora representation. “When the lion roars, it doesn’t mean the leopard cannot join,” goes an old proverb that aptly captures the sentiment here: this festival celebrates African storytelling in all its forms, not solely Nollywood’s.
Some voices within the industry suggest that Ghanaian filmmakers might have underestimated the festival’s significance or overlooked it as an opportunity to showcase their work alongside Nollywood giants on an international platform. With Nollywood’s extensive global reach, some local filmmakers may feel overshadowed, perhaps presuming that their unique stories may not garner the same attention. However, the absence of Ghanaian entries overlooks a golden opportunity to shine on a stage designed for a global audience with an appetite for diverse African narratives.
Mr. Destiny Austine Omon, the festival’s lead organizer, expressed hope that more Ghanaian filmmakers would see this as an invitation rather than an exclusion. “The festival may bear the Nollywood name, but it’s an open celebration of African storytelling, and that includes Ghana’s powerful voice in cinema,” he noted. “The stage is set here in Accra, a city rich with culture, and there’s space for Ghanaian films to represent that.”
The lack of immediate Ghanaian entries raises bigger questions about the connectivity and inclusivity of West African film industries. Despite Nollywood’s considerable success, Ghana’s film industry is far from silent, with many talented creatives working to make their mark on both local and international stages. Yet there’s often a perception gap that places Nollywood in the spotlight, leaving Ghanaian cinema in its shadow. Addressing this imbalance would not only enrich Ghana’s presence in festivals like this but also bring greater recognition to the broader spectrum of West African storytelling.
As submissions remain open, there’s hope that Ghanaian filmmakers will reconsider and step forward. After all, the Nollywood in Diaspora Film-Food Festival is more than a showcase; it’s a chance to amplify African voices in unison. Ghana’s own filmmakers have a unique place in this celebration and a once-in-a-lifetime opportunity to remind the world that African cinema is as diverse as it is powerful, encompassing voices far beyond Nollywood alone.
Ghanaian artiste and businessman, Frankie Rhymz, has opened up about his contribution to up-and-coming artistes in the country.
At a time when many artistes in the country have been crying for help, he told Original KP during an interview on ‘ZionFelix Studio’ that has been offering assistance to some of them.
Frankie Rymz, who owns a recording studio, revealed he has been producing songs and shooting music videos for some budding artistes without charging them a penny.
According to him, the most important thing is for the artiste to prove his or her seriousness.
Have you wondered why most female celebrities in Ghana are struggling to marry or have successful marriages?
Ghanaian actress, Gloria Sarfo has made a revelation about this. She dropped the secret in an interview with Nana Romeo on Accra FM which Zionfelix.net monitored.
She indicated that they would like to marry, but it appears the majority of the men who come their way are not ready to take them to that promised land.
Gloria tagged them as bad boys, stressing that they were the only men who were always bold enough to approach them.
After accepting them, the popular actress disclosed their motive for approaching them later come to light.
Prophet Nigel has made a surprise disclosure about his prophecies.
The popular Ghanaian prophet stated in a recent interview on Hitz FM that his prophecies are not accurate every time.
He said prophets who always get their prophecies 100 percent accurate are fake.
Gaisie admitted that prophets are humans and can make mistakes.
“I sometimes get my prophecies wrong. That makes me a human being. Every prophet that gets it 100% is fake.
“Sometimes God will twist your mouth, and your lips to make a mistake so that you the vessel will know that you are a human being. Sometimes I get it wrong. That is why you have to always be sharp spiritually.
“That is why in the space of a prophet, we don’t like disturbances. My emotions are very important to me because I can see red and misinterpret it. And so sometimes we get it wrong,” he said on Hitz FM’s Daybreak Hitz.
He also opened up about what contributed to his mistakes in the past when he had just started his ministry.
“Most of us the prophets are not educated. And the senior men of faith did not hold us, they didn’t welcome us. So personally, I have made a lot of mistakes which are regrettable. Because I didn’t have anybody who was so much interested in me.
“Someone like Reverend Eastwood Anaba will call me sometimes at dawn. He is someone that I love, and [for] some of us, he is like the checks and balances for us,” Nigel Gaisie averred.
He added that not having mentors when he started his ministry was also a challenge.
“So we made certain mistakes which were avoidable. But we are growing. There are things that I did about 9 or 10 years ago. Given the opportunity to have prophesied about Mahama, I wouldn’t have said it the way I said it,” the founder and leader of Prophetic Hill Chapel further stated.
Acclaimed Ghanaian musician Nautyca has released his latest gospel song, “Nalani”, a powerful song designed to inspire hope and redemption. This heartfelt single showcases Nautyca’s exceptional vocal talent and spiritual depth, making it a must-listen for music enthusiasts.
“Nalani” is more than just a song it’s an immersive experience that offers solace, encouragement, and spiritual renewal through its meaningful lyrics.
Afriyie Wutah, the celebrated Ghanaian musician known for his compelling storytelling and soul-stirring melodies, has released a new song titled “God No Go Shame We.” In this uplifting track, Afriyie combines his signature blend of highlife, Afrobeats, and contemporary sounds with an inspiring message of faith, perseverance, and divine intervention. The song is quickly becoming a fan favorite and has already garnered attention for its strong message of hope and reliance on God’s grace in times of difficulty.
A Message of Faith and Hope
“God No Go Shame We” is a song that speaks to the resilience of the human spirit and the unshakable faith that Afriyie holds in God’s providence. The title itself is a powerful statement, meaning “God will not shame us”—a phrase that reflects the belief that no matter the struggles or setbacks, God’s guidance and favor will ultimately lead to victory.
The song encourages listeners to trust in divine timing and remain steadfast in their faith, even when life seems uncertain or when challenges feel insurmountable. Afriyie’s lyrics capture the struggles that many face in life—whether it be financial difficulties, personal setbacks, or societal challenges—but the core message is one of reassurance: God will not let you fail or be disgraced.
Themes of Resilience and Divine Assurance
The central themes of “God No Go Shame We” revolve around faith, perseverance, and victory. In a world where uncertainty and hardship are a daily reality for many, Afriyie’s lyrics serve as a reminder that faith is the ultimate source of strength. The song highlights the idea that, regardless of how tough the journey may be, God’s protection and blessings will never fail those who trust in Him.
Key lyrics such as “No matter the struggle, we dey rise again” and “With God by our side, we no go fail” resonate deeply with listeners, especially in the face of adversity. The song is a call to hold on to hope and to believe that with God’s guidance, success is inevitable, and shame is not part of the narrative.
Production and Sound
Musically, “God No Go Shame We” stands out with its vibrant and uplifting sound. Afriyie’s vocal delivery is as powerful as ever, drawing listeners in with both his emotional depth and musical finesse. The track blends contemporary Afrobeats with traditional highlife influences, making it both modern and timeless. The upbeat rhythm and catchy melodies give the song an infectious energy that is perfect for uplifting any mood.
The production quality is top-tier, with a mix of electronic beats, live instrumentation, and smooth vocal harmonies that create a rich, textured sound. The song’s arrangement highlights Afriyie’s ability to connect deeply with his audience through music while maintaining a sound that appeals to both young and older listeners alike.
The Impact of the Song
“God No Go Shame We” has already begun to make waves in the Ghanaian music scene, quickly becoming a popular anthem of faith and resilience. Early reactions from fans have been overwhelmingly positive, with many praising the song’s message and its timely release, especially given the current global challenges. It has resonated deeply with listeners who are looking for encouragement and a reminder that, no matter what they are facing, they are not alone.
The song is also attracting attention on social media, with fans sharing the track and its inspiring message across various platforms. Afriyie’s ability to create music that not only entertains but also uplifts and motivates makes “God No Go Shame We” more than just a song—it’s a movement of positivity and belief.
Afriyie Wutah has long been known for his ability to produce music that speaks to the heart and soul of his listeners. With “God No Go Shame We,” he continues his legacy as one of Ghana’s most influential artists. His music not only reflects the beauty and struggles of life but also carries messages of empowerment and hope that transcend borders.
In a time where many are searching for meaning and inspiration, Afriyie’s song provides a beacon of hope. It’s a reminder that no matter the hardships we face, with faith and perseverance, we can overcome any obstacle. “God No Go Shame We” is an anthem that will continue to resonate with listeners for years to come, encouraging them to trust in the process and never give up.
Conclusion
Afriyie Wutah’s “God No Go Shame We” is more than just a song—it is a declaration of faith and an empowering message for anyone facing adversity. The track reminds us that, with God by our side, we can rise above life’s challenges and never be disgraced. With its infectious melody, strong message, and Afriyie’s soulful delivery, “God No Go Shame We” is destined to be a classic anthem of hope, faith, and resilience.
The lovely song advises people to be content with what they have.
They re-echoed a popular saying that a bad fetish priest who has been taking care of the sick person before the arrival of a good one should not abandoned.
