Procus Ghana Limited is delighted to announce Mohammed Kudus, the internationally sought-after Ghanaian star footballer as brand ambassador for Kivo.
The company is renowned for Kivo 4 in 1 Gari Mix and Kivo 100% natural spices such as Kivo Hot Pepper, Kivo Ginger Powder, and their new additions Kivo 100% natural Curry Plus and Kivo 100% natural Garlic Ginger and Onion powder.
Here’s my personal review of Commando, released 12th August 2024 as a single by Teddy O.T.
Teddy Owusu Twum popularly known as teddy o.t is no new name to the Ghana gospel music industry. Teddy has proven to be a force to reckon with int the urban contemporary gospel industry since 2010.A s someone who has written and promoted some of the genre’s hit songs from Meyi w’aye by Preachers, Dem Go Shame by TKC, Jesus Over Do by Empress Gifty, Live Again by Seth Diamond to mention a few,I know Ghanaians expect much from him.
Now to the song “commando”. I’ll walk through: what the song is about, how it sounds and how it works (production, performance, visuals), what stands out, and what should be improved in his future releases.
Background & inspiration
· Teddy O.T describes the title “Commando” as metaphorical: a defender, fighter, fortress. He likens God’s protection in his life to that of a commando going into the battles for you.
· The song was born out of a moment of personal reflection: challenges faced, deliverances experienced, and gratitude.
· Musically, it is positioned as an Afro-gospel anthem: a blend of worship themes and Afrobeat rhythms, West African sounds.
SOUND & PERFORMANCE
What works:
• The fusion of Afrobeat groove + gospel message gives it energetic yet meaningful feel: your feet might tap, your mind might reflect.
• Teddy’s vocal delivery carries conviction: the sense of testimony (I’ve been defended, I’ve been helped) comes across.
• Lyrically it mixes English with phrases like “Olorun dabobo” (God protect) and other local language touches; this grounds it culturally and gives authenticity.
• The arrangement builds nicely: from more intimate moments to fuller instrumentation; the “when you show your fa-ya-ya (fire)” section stands out as a hook.
What could be improved / Considerations:
• Because it juggles between worship and upbeat Afrobeat, for some listeners the shift might feel abrupt (from intimate testimony to big anthem).
• In terms of international crossover, the language/accents/traditional references might need subtle adaptation to connect globally—but that may reduce local authenticity, so it’s a trade-off.
• Visually (video production) the narrative could be strengthened with more variation or stronger visual metaphors instead of performance-only shots (if indeed the video leans that way).
VISUAL & VIDEO ELEMENTS
· The visual mood supports the message: it shows Teddy O.T in strong lighting, performance scenes, moments of reflection.
· The production value is solid (especially for the Ghana gospel/Afro scene), giving it a polished look.
· The styling and location (Brooklyn, NY referenced in one source) bring an international feel.
· A tip for viewers: keep an eye on how lighting, camera angles, and background scenes emphasise the “battle/defence” metaphors (commando, protector, shield).
STAND-OUT MOMENTS & THEMES
• “You’ve been ma bodyguard” / “You dey kill anything wey come cross this my lane” (from the lyric sheet) are strong vivid lines: they paint God as an active defender, not passive.
• The hook is memorable: “Na your hand-o, Na your hand-o … E bi you dey fight for me like commando” – simple, repeated, and emotive.
• Cultural layering: Use of local language expressions plus Afrobeat rhythms positions the track as both gospel and locally rooted.
• Empowerment to youth: Teddy O.T states he hopes the song resonates especially with youth or anyone who’s experienced deliverance.
OVERALL VERDICT
Commando is a strong offering in the gospel/Afrobeat space: it combines meaningful message, credible performance, and good production. If you enjoy faith-based music with an upbeat, modern African sound, this song delivers. It’s likely to be appreciated both in church/gospel circles and in Afrobeat-friendly social contexts.
Final thoughts
• If you’re not used to gospel lyricism, some of the religious language might feel heavy, but it’s balanced by the rhythm and production.
• Fans of more “pure” secular Afrobeat may find the worship predominance a bit divergent from party-mode songs—but that’s more a matter of listener preference than flaw.
• For future releases, perhaps exploring more storytelling visuals in the videos (beyond performance) could further broaden appeal.
Review By Felix Adomako Mensah
The discussions about the issues that caused the downfall and literal collapse of the Ghanaian movie industry seem never to end.
After a recent interview by renowned Ghanaian actress Portia Asare where she suggested that the collapse of the industry was largely because of the decision of some people to allegedly use juju (black magic) on their colleagues because they felt they were doing better than them.
The Ghanaian music scene has once again been blessed with yet another talented musician.
The young talent who is known in private life as Prince Boamah and professionally as Kwevi WG, is poised to take the industry by storm.
Award-winning Ghanaian actor simply known as Kalybos has alleged that his first car accident was caused by juju in the movie industry.
During an appearance on Game TV, Kalybos asserted that a Kumasi-based industry person causally confronted him for taking the role of Kumasi actors in the movie he was shooting
According to Kalybos, this industry person sounded very jealous and pained about the fact that the movie director had cast him instead of Kumasi peeps.
As narrated by Kalybos, while on his way from Kumasi- Accra, he got involved in a ghastly accident that almost took his life.
Kalybos disclosed this while reacting to Portia Asare’s recent submission that black magic is destroying our local movie industry.
Watch the video below to know more…
The political atmosphere in the Okaikoi Central Constituency is heating up as the country prepares to go to the polls come December 7, 2024.
Baba Sadiq, the NDC Aspiring Member of Parliament, is not leaving any stone unturned in his quest to snatch the Okaikoi Central Constituency seat from the hands of sitting MP, Patrick Boamah after 12 years.
Just a year after their shocking divorce that got many social media users talking, the ex-wife of Kumawood actor Salinko, Nancy Owusu has reportedly found love again and remarried.
The actor and his ex-wife tied the knot somewhere in 2018 and stayed today for about six years.
In a spectacular celebration of Ghanaian music in USA, Nee Oseye Ade Leke emerged victorious as the Male Artiste of the Year 2024 at the prestigious Ghana Music Awards USA, held over the weekend. The event, which took place in New Jersey City showcased a host of talented musicians and highlighted the vibrant essence of Ghanaian culture.
Nee Oseye Ade Leke’s win is a significant milestone in his career, which has been characterized by innovative sound and heartfelt lyrics. Songs like “Now a days Girls and “Why” are his latest singles which has contributed to this success competing against formidable nominees Enock Boateng, Jay Baba, Nana NYC, Daniel Nettey, Jamin Beatz, TooWan8, and Nii Addo.
Nee Oseye Ade Leke’s artistry and commitment to his craft resonated with both the audience and the judges, solidifying his place at the forefront of the Ghanaian music scene.
The Ghana Music Awards USA recognizes outstanding achievements among Ghanaian artists both locally and in the diaspora, celebrating the richness and diversity of Ghana’s music industry. This year’s ceremony was a reflection of resilience and creativity, especially in light of the challenges posed by the global pandemic.
In his acceptance speech, He expressed profound gratitude to his fans, family, and the entire Ghanaian music community. “This award is not just for me; it’s for every artiste who works hard and dreams big. I want to thank my fans for believing in my music and for supporting me every step of the way,” he said. His humility and passion for his craft shone through, endearing him even further to his supporters.
The event was filled with electrifying performances from various artists, celebrating the diverse genres that define Ghanaian music, from highlife to afrobeats and hip-hop. This year’s awards also featured several special tributes and acknowledgments of distinguished artists who have profoundly impacted the industry both locally and internationally.
Among the notable moments of the evening was a heartfelt tribute to legends of Ghanaian music, reminding attendees of the rich history that has paved the way for the current generation of artistes. The vibrant atmosphere and the spirit of celebration made the awards a memorable night for all involved.
In a world where mental wellbeing is increasingly coming into focus, initiatives like Speakoutout are not just necessary but very vital.
On the 9th of August, 2024, Speakoutout hosted an inspiring live session titled “How Do I Thrive” aimed at empowering individuals to heal and thrive despite the adversities they may have faced.
