VIDEO: “There Is No Movie Industry In Ghana” – SamDakus Fires

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Chris Osei
Chris Osei
The writer is Osei Chris Kofi. I have three strong passions in life — football, blogging and movies — in that order. I love spending time with friends talking about the important things in life and hate nothing more than ‘authority’ and hypocrisy. My personal believe in life is that once an individual sets his/her mind to achieve something, it is totally possible. And oh!, I am a strong Lannister, because I always pay my debt. For writing or fixing gigs, contact oseikofichris@gmail.com.

Renowned Ghanaian filmmaker, Mr. Samuel Darko, popularly known as SamDakus, has sparked a fresh wave of debate within the creative space after boldly declaring that Ghana does not have a movie industry but only scattered associations masquerading as one.

In an interview he granted on June 14, 2025, on SeanCity TV, hosted by celebrated media personality Ruthy Mummy DeNelson, SamDakus did not mince words as he delivered a blunt and unfiltered assessment of the Ghanaian film space.

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“There’s no movie industry in Ghana. What we have here are just mere associations. Nothing is structured, nothing is regulated,” he stressed.

According to SamDakus, the so-called industry lacks a central, authoritative body that oversees, coordinates, and regulates operations across the entire film value chain, from production to distribution and exhibition.

He pointed out that groups like the Film Producers Association of Ghana (FIPAG) and the Actors Guild are simply fragmented bodies operating in silos with no overarching system or policy direction.

“An industry is built on structure, governance, funding systems, and standards. But in Ghana, all we see are informal groups with no unifying vision,” he added.

SamDakus’ hard-hitting comments come at a time when conversations about reviving and redefining the Ghanaian film ecosystem are gaining momentum. His critique is seen by many as a wake-up call for stakeholders to move beyond association politics and push for a national film policy that can institutionalize and formalize the sector.

His statement has since sparked widespread discussions on social media and within film circles, with creatives, critics, and fans weighing in on whether Ghana indeed has an industry, or just a loose network of individuals trying to make a living through film.

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