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Ga Traditional Leaders Protest Alleged Burial Of Daddy Lumba At East Legon Home

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Concerns have emerged within Ga traditional leadership following reports that Ghanaian highlife musician Daddy Lumba was laid to rest at his private residence in East Legon, a move authorities say contradicts both national regulations and Ga customary practices.

Speaking in a video captured by Zionfelix.net, Reverend Dr Jesse Ankrah, who speaks for the office of the Gborbu Wulomo-Shitse, addressed the matter and explained that Ga-Adangbe tradition does not permit the burial of the dead within residential properties.

Rev Ankrah explained that established custom among the Ga-Dangme people requires the deceased to be buried only in recognised cemeteries or approved traditional burial grounds. He said placing a body within a private home contradicts long-standing cultural practices unless specific rituals are performed to purify the land and appease the spiritual forces believed to guard it.

He explained that bringing a corpse close to sacred shrines or deities is regarded as spiritually impure, and both tradition and the spiritual forces associated with the land forbid such an act. He added that if a burial were to occur under those circumstances, the land would have to undergo traditional pacification rites, the deities would need to be appeased and the traditional authorities who oversee the territory where the burial took place would have to be formally consulted.

READ ALSO: Abusuapanin Kofi Owusu Aka “Tupac” Reportedly Destooled By Family

Apart from the cultural concerns, Rev Ankrah also highlighted possible environmental and public health implications tied to burying bodies within residential areas.

He explained that, from an environmental standpoint, such a practice could violate both state laws and community regulations. As a body decomposes, fluids released during the process can seep into the soil and potentially contaminate underground water sources. He noted that residents who depend on boreholes for household water could unknowingly face health risks if such contamination occurs. He further indicated that if the deceased had suffered from any infectious illness before burial, the situation could pose broader dangers to people living in the surrounding community.

The issue gained public attention after remarks attributed to the late musician’s family head, Abusuapanin Kofi Owusu, suggested that the celebrated singer had been buried at his East Legon home.

Following those claims, the office of the Gborbu Wulomo-Shitse invited him to appear before the traditional leadership to clarify the circumstances surrounding the alleged burial.

Rev Ankrah explained that attempts were made to reach Abusuapanin Victor Owusu, popularly known as Tupac, to express the concerns of the traditional authorities and to emphasise that such an action would not be acceptable under Ga customs. He said the family head had been expected to honour the invitation earlier that morning but had not shown up after the leaders waited for some time. He also indicated that reports circulating suggest that Victor Owusu may have been removed from his position as the family’s Abusuapanin.

Mzbel Demands Apology From Prophet Fire Oja, Says Defamation Case Is About Clearing Her Name

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Ghanaian singer and businesswoman Mzbel is demanding a public retraction and apology from Prophet Fire Oja over remarks she describes as defamatory, insisting the dispute is about clearing her name rather than seeking financial gain.

Speaking to the media on March 11, 2026, the singer said the ongoing court case is driven by her desire to hold the preacher accountable for statements she says are false and damaging to her reputation.

According to Mzbel, the issue is not about money but about ensuring that the claims made about her are withdrawn. She stated that she wants the preacher to take back everything he said about her because the allegations are untrue, adding that once he retracts the comments and apologises, she would be ready to move on without demanding any financial settlement.

She also indicated that being labelled a liar has worsened the dispute, explaining that the accusation is one of the main reasons the matter has escalated to court.

The musician further clarified that she has no personal relationship with the preacher and had never interacted with him before the controversy began. She said she does not know him and had never met or spoken with him prior to the situation.

READ ALSO: Prophet Fire Oja Slams Mzbel For Spreading Lies Amid Court Battle

Mzbel alleged that the preacher’s criticism began after someone used her testimony to promote a project. In her view, the preacher responded by publicly attacking her and encouraging others who already had issues with her to join the criticism.

She explained that she initially hoped the situation could be resolved through a private discussion. However, she now believes the conflict has intensified because the preacher has continued to make public remarks about her, including calling her dishonest, an allegation she firmly rejects.

The singer also said the controversy affected her professional activities and business interests, particularly during a period when she typically receives numerous bookings.

She explained that the matter surfaced around December, a time when she usually performs at many shows and events. According to her, the situation quickly began trending online after the preacher allegedly urged the public to distance themselves from her, even though her work relies heavily on public engagement. She noted that several show opportunities were disrupted as the issue gained attention.

Mzbel stressed that the damage went beyond her music career because she runs several businesses that depend on public patronage. She said young people play a major role in promoting and supporting her ventures, which include a pub, a playground, a restaurant and her music career, and for that reason she felt compelled to defend both her reputation and her businesses.

The dispute traces back to claims made by Prophet Fire Oja, who alleged that the singer suffered serious health complications in 2025 after visiting a traditionalist known as Ola Maame for what he described as a “soul travel” ritual. He claimed the situation resulted in Mzbel being hospitalised for treatment.

The preacher also accused the singer, known for the hit song “16 Years,” of collaborating with the traditionalist to deceive women who visit Ola Maame’s shrine in Kasoa.

Mzbel has strongly rejected those allegations and challenged anyone circulating such claims to provide evidence that she had any negative spiritual encounter with the traditionalist.

Through her legal representatives, the musician later issued a formal notice demanding that the preacher retract his statements, apologise publicly and pay compensation. The letter reportedly gave him ten days to comply.

According to Mzbel, the preacher did not respond to the demands, prompting her to pursue the matter through the courts.

Abusuapanin Kofi Owusu Aka “Tupac” Reportedly Destooled By Family

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The Ekuona Abusua of Paakoso has reportedly destooled their former family head, Mr. Victor Kofi Owusu, popularly known as Tupac, bringing an end to months of controversy, internal conflict and public embarrassment surrounding the leadership of the respected clan.

In a press release issued on March 12, 2026, the elders and representatives of the Ekuona Abusua announced that the decision was taken on Wednesday, March 11, 2026 at exactly 11:55 a.m., after extensive consultations and repeated attempts to resolve disputes internally.

Global Link Up: Shatta Wale & John Legend On “Ain`t Nobody”: Set To Be Released On 20th March

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On March 20, 2026, Shatta Wale will release his highly anticipated single, “AIN’T NOBODY”, featuring award-winning singer and songwriter John Legend.

Shatta Wale has built a strong legacy in African dancehall, winning multiple awards and shaping the sound of a generation. His influence goes beyond Ghana, with major international collaborations that highlight his global reach. Over the years, he has worked with icons such as Beyoncé, Bounty Killer, Vybz Kartel, Gramps Morgan, and Shenseea. These projects have positioned him as one of the key African voices bridging dancehall and the global mainstream.

READ ALSO: DJ Mensah Wants Rapperholic Officially Backed By Government For Ghana @70

John Legend stands as one of the most decorated artists of his era, with 13 Grammy Awards from over 40 nominations. His catalogue of timeless hits, worldwide acclaim, and respected musicianship have cemented his place among music’s elite.

“AIN’T NOBODY” blends African rhythm with global soul, uniting two powerful musical forces into one sound that speaks across cultures.

March 20, 2026, marks another bold chapter in Shatta Wale’s global journey. The world will be listening.

Thierry Nyann Dismisses Rumours Surrounding His Exit from TV3

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Ghanaian sports journalist Thierry Nyann has strongly refuted claims that his departure from Media General’s TV3 was due to privileges being taken away from him.

In a strongly worded Facebook post, the former sports presenter clarified that he voluntarily resigned from the media house, contrary to rumours circulating within the organisation.

According to Nyann, his decision to leave TV3 had nothing to do with personal benefits or privileges, but rather a natural progression in his career.

“I resigned not because privileges were taken away from me but because we all move on in life,” he wrote.

Nyann further revealed that he had previously attempted to resign from the company on two occasions before his departure was eventually accepted.

“They stopped me twice from resigning! I resigned twice!!!” he added in the post.

The experienced sports journalist also criticised individuals he claims have been spreading false narratives about the circumstances surrounding his exit.

He described the rumours as baseless office gossip and urged those responsible to focus on their work instead of spreading misinformation.

“I have been told there are gossips within TV3 that privileges were taken away from me and that is why I left the company. It’s so sad that there are still people who have nothing better to do with their lives than to sit in their offices and gossip,” he wrote.

Nyann also questioned the logic behind the claims that he enjoyed special privileges at the company.

“What privilege? Did I have access to TV3 bank account?” he asked rhetorically, dismissing the allegations as unfounded.

Highlife Legend Sloopy Mike Gyamfi Accuses Kuami Eugene Of Using His Song Without Permission

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Veteran Ghanaian highlife musician Mike Kwadwo Gyamfi, popularly known as Sloopy Mike Gyamfi, has revealed that singer Kuami Eugene used one of his songs without first seeking his permission.

Speaking in a recent interview with media personality Nana Romeo Welewele on Peace FM’s Ekwanso Dwoodwoo programme, the highlife legend claimed that Kuami Eugene sampled his classic song titled Asem Kakra.

During the interview, Sloopy Mike Gyamfi laughed as he discussed the matter, stating that the singer delivered a good performance of the song but did not consult him before using it.

“Kuami Eugene took my song. You can find it on YouTube. He did it very well. He sang the song so nicely. The song was Asem Kakra. If you Google the song with Kuami Eugene’s name, you will see it,” he said.

According to the veteran musician, Kuami Eugene performed a version of the song and added some of his own lyrics while maintaining parts of the original composition.

Gyamfi explained that the video of the performance is available on YouTube and shows the Monica hitmaker singing his original song while incorporating new elements.

“In the video, he was singing Asem Kakra. It is not like he used the song entirely. He was singing my Asem Kakra song, but he added his own lyrics to it,” he stated.

Although he expressed admiration for the younger artiste and described him as someone he considers like a son, Sloopy Mike Gyamfi said proper communication should have taken place before the song was used.

He indicated that he would not have objected if Kuami Eugene had approached him first.

“He is like my son, so if he admires what I did and wants to do something with my song, I have no problem with it. But he should have at least consulted me first before doing it,” he added.

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Shatta Wale Signals Interest In Contesting Ablekuma South Seat In 2028

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Ghanaian dancehall artiste Shatta Wale has announced that he may enter politics and contest the Ablekuma South parliamentary seat in the 2028 general elections.

Shatta Wale made this disclosure during an appearance on Asempa FM’s Ekosii Sen programme on Wednesday, March 11, 2026.

According to him, his decision would depend largely on public encouragement and calls from constituents.

Shatta Wale stated that if the calls become stronger, he would consider contesting the seat as an independent candidate rather than representing any established political party.

“If people call on me to enter politics, I will do it, but I am not coming into it because I am rich; rather, I want to serve the interests of the people,” he said.

He emphasised that his potential political ambition is motivated by a desire to contribute to national development rather than personal gain.

During the interview, the musician also expressed concern about Ghana’s governance system and advocated for reforms to the country’s legal and constitutional framework.

According to him, Ghana needs to re-examine aspects of its governance structure to move forward as a nation.

“We are tired of the 1992 laws and constitution. We need to grow up from where we are. Other countries have grown, so we also need to look at how we can move forward,” he argued.

Shatta Wale’s comments add to a growing trend of celebrities and entertainment personalities expressing interest in political leadership roles in Ghana.

While he has not officially launched a campaign, his remarks have already sparked discussions on social media about the possibility of the award-winning musician entering mainstream politics ahead of the 2028 elections.

Prophet Fire Oja Slams Mzbel For Spreading Lies Amid Court Battle

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Prophet Fire Oja has talked again following his second court appearance in the ongoing legal clash with singer Mzbel, delivering a direct message to her.

On Wednesday, March 11, 2026, the pastor attended the second hearing in the case Mzbel filed against him. After leaving the courtroom, he spoke to the media about his stance and the controversy surrounding their dispute.

Prophet Fire Oja made it clear that he will not apologise to Mzbel unless a court orders him to do so. He also told the singer to stop spreading falsehoods.

He insisted that Mzbel has repeatedly made untrue statements regarding the situation. He recalled that during the first hearing, she took to social media claiming that he had been detained, a claim he described as entirely false. He said that when the police summoned him, she misrepresented the situation as an arrest, creating a misleading narrative for the public.

READ ALSO: DJ Mensah Wants Rapperholic Officially Backed By Government For Ghana @70

The conflict between the two began after Prophet Fire Oja alleged that Mzbel experienced serious health complications in 2025 following a visit to a traditionalist named Ola Maame for a so-called “soul travel” ritual. He claimed that these complications required her to be hospitalised for treatment.

The pastor also accused Mzbel of collaborating with the traditionalist to mislead women who visited Ola Maame’s shrine in Kasoa. Mzbel has consistently denied these allegations, challenging anyone to provide proof of any negative experience with the spiritualist.

Through her lawyers, Mzbel issued a legal notice demanding that Prophet Fire Oja retract his statements, apologise, and provide compensation. The notice reportedly gave him ten days to comply. The pastor’s refusal to respond prompted the singer to escalate the matter to court.

DJ Mensah Wants Rapperholic Officially Backed By Government For Ghana @70

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After Sarkodie’s electrifying Rapperholic Concert in London on March 6, 2026, DJ Mensah, the rapper’s personal DJ, is urging Ghanaian authorities to step up and back the music industry financially, turning such landmark events into national cultural milestones.

“This vision must be backed financially by government and made part of the official Ghana @70 calendar across all the offices that matter,” DJ Mensah wrote on Instagram, highlighting the potential of music to unite Ghanaians at home and abroad.

The London concert, held at the Royal Albert Hall, drew twenty thousand fans and millions of online viewers. DJ Mensah described the atmosphere as electric, saying, “You could feel the excitement, pride, the hunger, the connection… it even felt like the diaspora had turned the volume up higher than Accra itself.”

READ ALSO: Wendy Shay Has More Hits And Fans Than Any Female Artiste In Ghana – Bullet

He envisions Rapperholic-style events becoming not just concerts, but global cultural travel experiences. Fans would book tickets, travel, and accommodations through a dedicated portal, making the celebration of Ghanaian music an international, fully coordinated experience.

“Just like we opened a portal for supporters to apply for visas for the World Cup, the same idea could apply here. Let’s make it a Ghana cultural travel moment,” DJ Mensah said.

By embedding such events into official national celebrations like Ghana @70, DJ Mensah believes the government can amplify Ghanaian culture, boost tourism, and showcase the country’s music industry on a world stage, uniting fans across continents in shared pride and celebration.

Read his post below.

Wendy Shay Has More Hits And Fans Than Any Female Artiste In Ghana – Bullet

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RuffTown Records CEO Ricky Nana Agyemang, known in the music industry as Bullet, says singer Wendy Shay remains unmatched among female artistes in Ghana when it comes to hit records and fan loyalty.

He made the remarks during an interview with Nana Romeo on UTV’s ‘Atuu’, where he defended the RuffTown signee and questioned what he described as the reluctance of parts of the Ghanaian media to highlight her success.

According to Bullet, Wendy Shay has achieved significant milestones since entering the industry, but he believes some media outlets have chosen to minimise those achievements. He suggested the situation may be connected to the early criticism that followed the singer when she first appeared on the music scene.

Bullet recalled that many commentators were quick to predict that Wendy Shay would struggle to survive in the industry. In his view, the singer has since disproved those claims through consistent releases and a steadily growing fanbase.

READ ALSO: Counsellor Lutterodt Apologises After Police Invitation Over Daddy Lumba Burial Remarks

Despite that progress, he said recognition has not always followed her success.

Bullet pointed to the singer’s ability to headline her own show. He cited the concert she staged in Kasoa in 2025, describing it as a significant milestone that he believes deserved greater attention, particularly considering the hurdles female performers often face in the Ghanaian music space.

Bullet maintained that audience response and the number of hit songs to her name clearly place Wendy Shay ahead of other female acts in the country today.

“Today, there is no female artiste in Ghana with more hit songs or a stronger fanbase than Wendy Shay, but some sections of the media refuse to acknowledge it, partly because she is my artiste and partly because many people once said she would never succeed,” he said.

The RuffTown boss also shared details about how their professional partnership began. He credited entertainment industry figure Kwesi Ernest with introducing Wendy Shay to him at a time when he was already exploring opportunities with other artistes.

However, Bullet said meeting her changed his plans. After observing her determination and attitude, he became convinced she had what it takes to navigate the demanding nature of the music business.

One factor that stood out to him was her decision to leave a secure career in healthcare in order to pursue music.

“Kwesi Ernest introduced her to me. At the time I was already speaking with other artistes, but when I took a closer look, I realised Wendy was the one. Here was someone who was a nurse but had decided to leave that profession behind to come and hustle in music. That alone told me she was fearless and determined. I knew she was tough enough to face whatever challenges might come her way, so I dropped all the other artistes and chose to begin the journey with her,” Bullet further stated.