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Medikal Called Me An ‘Old Coin’ After Rejecting My Feature – Mzbel Alleges

J.K Oppong
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Medikal Called Me An ‘Old Coin’ After Rejecting My Feature – Mzbel Alleges

Mzbel says a failed attempt to secure a feature from Medikal took an unexpected turn when she was later labelled an “old coin” in one of his songs, a moment she describes as both surprising and disappointing.

Speaking on UTV’s United Showbiz, the singer, whose real name is Belinda Nana Ekua Amoah, explained that her effort to collaborate with the rapper did not go as planned. According to her, the refusal was followed by what she considers a subtle but pointed attack in one of his songs.

“The last time I recorded a song, I wanted to feature someone but the person declined. He later went on to release a song in which he insulted me, calling me an ‘old coin.’ It was Medikal.

“I tried reaching out to him directly but couldn’t, so I contacted him through his wife, yet I still couldn’t get through. Later, during an interview, I mentioned that I had tried to reach him without success. The next moment, he released a song about me, referring to me as an ‘old coin,’” she said.

READ ALSO: Kotoko And Phobia Can Never Be One – Stonebwoy Fuels Rivalry Talk

Even with that experience, Mzbel made it clear she still rates Medikal highly as an artist. She highlighted his ability to craft relatable lyrics and maintain a unique flow, insisting his talent remains undeniable.

“He is the best because his songs are easy for people to understand. I am disappointed but I am still open to working with him because I understand how the game works.

“His rap style would fit well with my music. Even though I am hurt, my staff still plays his songs at my workplace, and I can’t stop them. That aside, if he ever reaches out for a collaboration, I am always available,” Mzbel stressed.

Watch her statement below.

Kotoko And Phobia Can Never Be One – Stonebwoy Fuels Rivalry Talk

J.K Oppong
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Kotoko And Phobia Can Never Be One – Stonebwoy Fuels Rivalry Talk

Talk of a possible easing of the long-standing friction between Shatta Wale and Stonebwoy has been thrown back into doubt after Stonebwoy’s latest comments, even after a widely publicised moment of unity.

During the Ghana World Cup fundraising event, President John Dramani Mahama encouraged the two dancehall heavyweights into a symbolic embrace, a gesture many interpreted as a turning point in their relationship. However, Stonebwoy’s remarks at the 2026 World Cup fundraising launch held at the Kempinski Hotel suggested otherwise.

Rather than signalling reconciliation, he leaned into the idea of rivalry as a driving force, implying that the competitive edge between them still has a role to play in the music space.

He compared their dynamic to one of Ghana’s most famous football rivalries, using Hearts of Oak and Asante Kotoko as his reference point, and argued that such divisions can sustain excitement and public interest.

READ ALSO: Shatta Wale, Stonebwoy Step Up With Massive Cash Support For Ghana’s World Cup Push

“This is a very important call to all of us. You know that Kotoko and Phobia [Hearts] can never be one. They are two different teams that must continue to maintain that competitive energy to bring joy to the nation. If I say this, you know what I mean,” he stated.

Stonebwoy also made it clear that he is not retreating from that competitive space, suggesting that it remains part of what fuels creativity and engagement within the industry.

At the same time, he urged caution in how the rivalry plays out, stressing the need for limits that preserve respect and the spirit of healthy competition without crossing into harmful territory.

“The minister said it is a healthy competition, which I believe it is. But we just have to be mindful, so we tone down things that could harm the spirit of this competition, especially the vulgarity, which is rarely found in the BHIM Nation camp,” the Burniton Music Group boss further stated.

Watch the video below.

Shatta Wale, Stonebwoy Step Up With Massive Cash Support For Ghana’s World Cup Push

J.K Oppong
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Shatta Wale, Stonebwoy Step Up With Massive Cash Support For Ghana’s World Cup Push

Support for Ghana’s 2026 World Cup push gathered serious momentum on Friday night, with two of the country’s biggest dancehall names stepping forward to back the Black Stars financially.

Stonebwoy and Shatta Wale were among the high-profile figures at the campaign launch held at the Kempinski Hotel, where a mix of individuals and corporate organisations pledged funds toward the national team’s preparations for the global tournament.

Stonebwoy set the tone with a combined pledge of $101,000, made up of $81,000 in cash and an additional $20,000 in music services. Shortly after, Shatta Wale followed with a $100,000 commitment, reinforcing the growing wave of support as Ghana gears up for the competition.

READ ALSO: Funny Face Lights Up As Kwaku Manu Opens New KM Perfumes Branch In Madina (Video)

Corporate backing also dominated the evening. Engineers & Planners, the mining company owned by Ibrahim Mahama, led the way with a $5 million commitment. Goldfields added $2 million to the pool and promised a further $1 million contribution next year.

On the pitch, Ghana face a challenging path. Drawn in Group L, the Black Stars will compete against England, Croatia, and Panama. Their campaign begins on June 17 with an opening fixture against Panama in Toronto.

Funny Face Lights Up As Kwaku Manu Opens New KM Perfumes Branch In Madina (Video)

J.K Oppong
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Funny Face Lights Up As Kwaku Manu Opens New KM Perfumes Branch In Madina (Video)

Ghanaian actor and entrepreneur Kwaku Manu is taking his perfumes venture a step further with the launch of a new outlet in Madina, Accra, on Friday, March 20, 2025.

The expansion of KM Perfumes was marked with a lively opening ceremony that drew a buzzing crowd and created an atmosphere of celebration around the brand’s growing presence in the city.

Moments from the event, captured by Zionfelix.net, showed comedian Funny Face turning up in support of Kwaku Manu. He kept guests engaged with a burst of energy, thrilling onlookers with his signature dance moves and playful interactions.

READ ALSO: I Have Invested Over GHS 300,000 In My Perfumes Business – Kwaku Manu Discloses

Addressing patrons during the launch, Kwaku Manu used the occasion to highlight a key shift in his business approach, revealing that prices have been adjusted to make the perfumes more accessible to a wider range of customers.

He further assured buyers of the authenticity of every product on display, stressing that the brand deals strictly in original perfumes as it works to build trust and loyalty among its growing customer base.

Watch the video below.

Shatta Wale Drops ‘Ain’t Nobody’ Featuring John Legend

J.K Oppong
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Shatta Wale Drops ‘Ain’t Nobody’ Featuring John Legend

A new chapter is unfolding for Shatta Wale, who is stretching beyond his familiar comfort zone with the release of ‘Ain’t Nobody’. The single sees him join forces with award-winning American singer John Legend, setting the tone for a sound that reaches far beyond borders.

On this record, Shatta Wale dials back the intensity he is widely known for and embraces a smoother, more layered approach. The production leans into a careful blend of African percussion and soulful melodies, building a soundscape that feels intentional and far-reaching. John Legend’s contribution adds a refined, emotional edge, his vocals flowing seamlessly across the instrumental and complementing Shatta Wale’s delivery in a way that feels measured rather than overpowering.

READ ALSO: Global Link Up: Shatta Wale & John Legend On “Ain`t Nobody”: Set To Be Released On 20th March

What might have initially come across as an unlikely pairing quickly proves to be a calculated creative move. Both artistes meet at a middle ground that highlights their strengths without diluting their individual identities. The collaboration speaks to a wider shift in the music space, where African acts are increasingly engaging in cross-continental partnerships that expand their reach while maintaining authenticity.

Since the song dropped, Ain’t Nobody has become a talking point online, drawing mixed but curious reactions. While many listeners have applauded the risk and the polished finish, others are taking a closer look at what this direction could mean for Shatta Wale’s evolving artistry and his place on the international stage.

Press play below and share your take on the song.

Blakk Rasta Explains Why He Sent Back Dozens Of music Awards

J.K Oppong
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Blakk Rasta Explains Why He Sent Back Dozens Of music Awards

Blakk Rasta has opened up about a bold decision from his past, revealing that he returned dozens of awards he had earned over the years after losing faith in how some schemes determine winners.

Speaking in a recent interview with Kafui Dey, the reggae artiste and broadcaster said the move was driven by his personal values and a growing unease with award systems that rely on paid voting.

Even after securing major honours, including “Best Reggae Song” at the Ghana Music Awards in 2002, he said doubts began to creep in about the integrity of platforms where artistes and fans are expected to spend money to influence results.

“This song won the best reggae song of the year at the Ghana Music Awards in 2002. I had to return all the plaques to the organisers. I sent all the awards I’ve ever received and they were about 40,” he said.

He made it clear that his decision cut across several award bodies, not just one organisation, as he reassessed the value of the recognitions he had received.

READ ALSO: Charterhouse Replies Kwaw Kese, Defends Integrity of Ghana Music Awards

Blakk Rasta indicated that the idea of pushing for votes and encouraging fans to pay in order to win stripped the awards of their meaning and made him uncomfortable keeping them.

“All the awards that I had to vote for and pay money for, my spirit didn’t feel good carrying all these loads in my house. I said to them that thank you for honouring me, but I see that as dishonour because I had to pay via voting and convince my fans to pay for the awards,” he stated.

He also disclosed that he formally wrote to Charterhouse Ghana, organisers of the Ghana Music Awards, to communicate his decision, but claims his letter was met with silence.

“I realised I was cheap, so I didn’t want them. I wrote a letter and sent it to Charterhouse, but they didn’t even have the courtesy to write back,” he shared.

Still, he did not part with every accolade. One award, which he received in London without any voting or financial input, remains with him.

“In all the awards, there was only one I received without people voting, which I got from London, so I kept that one,” he explained.

He says his stance remains unchanged today, adding that he has no interest in participating in any award scheme that requires payment to vote.

“Then the awards started multiplying again. I’m not part of any awards programme that has to do with paying to vote,” Blakk Rasta further stated.

RuffTown Records Sets Ghanaian Music Record As Two Female Artistes Are Nominated For TGMA Artiste Of The Year

Chris Osei
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RuffTown Records Sets Ghanaian Music Record As Two Female Artistes Are Nominated For TGMA Artiste Of The Year

RuffTown Records has made history in Ghana’s music industry by becoming the first record label to have two different female artistes earn nominations for the prestigious Artiste of the Year category at the Vodafone Ghana Music Awards. The milestone also establishes Ricky Nana Agyemang, popularly known as Bullet, as the first executive producer in Ghana to guide two female talents to this level of recognition.
Leading RuffTown’s current wave of acclaim is Wendy Shay, one of the most nominated female artistes at this year’s Vodafone Ghana Music Awards. Her consistent chart success and strong fan engagement have earned her nominations for Artiste of the Year, Album / EP of the Year for Ready, and Best Afrobeats / Afropop Artiste.
Wendy Shay’s hit single “Crazy Love” featuring Olivetheboy has also earned nominations for Most Popular Song of the Year, Best Afrobeats Song, and Collaboration of the Year. Additionally, her international record “Too Late Remix (2.0)” with Bedjine, Phina, and Guchi is nominated for International Collaboration of the Year. These nominations highlight her growing influence both locally and internationally.
Before Wendy Shay’s rise, RuffTown Records had already made history with the late Ebony Reigns, whose meteoric career redefined the space for female artistes in Ghana. Ebony’s hits like “Poison,” “Sponsor,” and “Maame Hwɛ” quickly positioned her among Ghana’s top artistes. She was first recognized with a nomination for Unsung Artiste of the Year in 2016, signaling her emergence as a leading female talent. In 2018, she made history by winning Artiste of the Year at the Vodafone Ghana Music Awards, along with Afropop Song of the Year and Album of the Year, cementing her legacy in Ghanaian music.
With Ebony Reigns’ historic achievements and Wendy Shay’s current nominations, RuffTown Records has set a new benchmark in Ghanaian music. The milestone reflects Bullet’s vision and the label’s dedication to nurturing female artistes capable of reaching the very top. Beyond awards, it demonstrates the impact of intentional investment in women in music, creating opportunities for female creativity to thrive and shaping the future of Ghanaian music.

By Fiifi Adinkra

Sista Afia Endorses Wendy Shay for TGMA Artiste of the Year

Kwabena Ansah
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Sista Afia Endorses Wendy Shay for TGMA Artiste of the Year

Ghanaian musician Sista Afia, known in private life as Francisca Gawugah, has publicly declared her support for fellow artiste Wendy Shay ahead of the upcoming Telecel Ghana Music Awards.

In a post shared on Facebook, Sista Afia simply wrote, “Wendy Shay for AOTY🥂❤️,” openly backing Wendy Shay for the prestigious Artiste of the Year (AOTY) category.

Her endorsement comes shortly after the official announcement of nominees by the awards board on Saturday, March 14, 2026.

Wendy Shay secured seven nominations, including the top Artiste of the Year category, where she will compete against some of Ghana’s biggest names, including Sarkodie, Stonebwoy, Diana Hamilton, Black Sherif, and Medikal.

Fans and followers quickly reacted to Sista Afia’s post, with many praising her for showing support to a fellow female artiste. The gesture has been widely interpreted as a sign of growing unity among women in Ghana’s music industry.

Others, however, used the opportunity to debate which of the nominees truly deserves the coveted award.

Joselyn Dumas Gets Scammed by MoMo fraudsters; Narrates how the whole incident happened

Kwabena Ansah
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Joselyn Dumas Gets Scammed by MoMo fraudsters; Narrates how the whole incident happened

Ghanaian actress and television personality Joselyn Dumas has revealed how she lost a significant amount of money to a mobile money scam, using her experience to caution the public.

In a video shared on her social media platforms, the actress explained that the ordeal began when she attempted to upgrade her subscription with DStv Ghana.

According to her, she contacted an individual she believed to be a legitimate representative of the company. The person then sent her a link and requested her decoder details along with her mobile money (MoMo) PIN.

Joselyn Dumas recounted that immediately after sharing her number, she noticed suspicious activity on her phone.

“As soon as I said to him that was my number, I felt a vibration on my phone. All my money was emptied… he was able to get into my MoMo app,” she said.

She further disclosed that even after she managed to regain access to her account and deposited funds again, deductions continued to be made to cover unauthorised transactions.

Following the incident, the actress urged the public to be extremely cautious when dealing with online transactions and individuals claiming to represent companies.

“Never give your MoMo PINs, and always verify who you are dealing with,” she advised.

Her experience has added to growing concerns about mobile money fraud in Ghana, with many users taking to social media to share similar encounters and call for increased awareness and security measures.

Dancehall heavyweight Stonebwoy opens up on rejection and struggles behind his success

Kwabena Ansah
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Dancehall heavyweight Stonebwoy opens up on rejection and struggles behind his success

Award-winning Ghanaian dancehall artiste, Stonebwoy, has shared a candid reflection on the challenges he faced on his journey to success, revealing that rejection and ridicule played a major role in shaping his career.

Speaking during an X (formerly Twitter) Space organised by Node Eight, the Bhim Nation president opened up about the realities behind his rise in the music industry.

According to Stonebwoy, his path was far from easy, as he constantly faced doubt and mockery from others.

“I have faced rejection and ridicule all my life,” he said, adding that people often dismissed his abilities and ambitions.

The Nominate hitmaker explained that instead of allowing the negativity to break him, he used it as fuel to push harder and improve himself.

“People will laugh at your condition or play with what you think you have or what you believe you can do,” he stated.

“But it taught me to believe in myself and make sure that with every given opportunity, I came correct.”

Stonebwoy further disclosed that there were moments when opportunities slipped away despite his efforts, as decision-makers overlooked him.

“There have been several times your name goes into certain rooms and people will still choose otherwise. Realistically, they are not betting on you,” he noted.

He added that such situations are often meant to discourage individuals into giving up, but he remained determined to prove his doubters wrong.

“They are just putting you in a corner so that you can quit, but I keep proving them wrong,” he said.

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