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Blakk Rasta Praises President Mahama As “An Angel Without Wings”

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Ghanaian reggae artiste and radio host Blakk Rasta has opened up about his admiration for President John Dramani Mahama, saying his view of the Ghanaian leader has changed after watching him closely during his current term in office.

In a recent interview with Kafui Dey, the outspoken commentator spoke warmly about Mahama and his approach to leadership.

“President Mahama, honestly, when I was growing up, I was told that angels had wings. This is the first time I’m seeing an angel without wings, and that’s President Mahama.

“To be honest with you, I criticised him during his first tenure. Whom haven’t I criticised? People criticise me too. And they have come to realise that I criticise them not to destroy them, but to build them,” he said.

READ ALSO: R2Bees’ “Over” Attains Number One Spot On UK Afrobeats Chart

Blakk Rasta explained that taking on influential figures has long been part of his public commentary, stressing that his criticism is rarely driven by personal grudges. He noted that he often meets people he once criticised without even recalling the sharp remarks he made about them.

“No malice at all. I criticise people and later meet them, and I don’t even remember that they once passed through my hot oven of critical baking. Well, I said a lot about Mahama, and Mahama is that gentleman. He will listen. Whether he chooses to react or let it go is up to him,” he clarified.

Reflecting on his earlier views of the president, Blakk Rasta said his perspective has shifted over time as he observed Mahama’s conduct in office. In his view, the president has shown a level of patience and humility that stands out, even in the face of criticism.

Brother Sammy happily unveils his newly built 50 rooms hotel in Kumasi

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Controversial Ghanaian gospel musician Brother Sammy has sparked reactions on social media after showcasing a newly constructed hotel in Kumasi.

In a new video, the singer proudly displayed the multi-storey building, which is currently in its final stages of construction.

According to Brother Sammy, the facility will be officially unveiled on April 26, 2026, at Atafoa Tigo Junction in Kumasi, and he has invited the general public to attend the launch event.

The hotel boasts a modern architectural design, featuring a cream and beige exterior complemented by large blue-tinted glass windows and neatly arranged balconies.

The structure is fitted with multiple air-conditioning units, suggesting a strong focus on guest comfort.

Inside, the property reportedly includes numerous rooms, with some sections designed to feature living areas furnished with expensive décor, televisions, and display cabinets housing several award plaques the musician has earned throughout his career.

The unveiling of the hotel comes just weeks after a video of Brother Sammy’s luxurious mansion surfaced online, further highlighting his growing investments beyond music.

@brodasammynation

26th April am launching my 50 rooms Hotel at Kumasi Atafoa Tigo junction opposite SDA office 2pm@Obaapa Adwoa Christy @Her Excellency Nana A. McBrown @LOWB’s KITCHEN ACCCRA BRANCH @Naana Donkor Arthur @Kofi Kinaata @💙Barbie Asantewaa ❤️🔐 @Pat Ofori @SexyAfrah1 @nanaagyemanabbeamdanso @Rap Fada @Actress Nayas1_official❣️ @Asantewaaaaa @FATHER OF STAR BOI ⭐⭐ @Fire_Oja official @Juicy Listic @KINGSLEY AGYENIM BOATENG @Lil Win @NANA ADOBEA SIKAPA🕊️ @Nana Hemaa Frema Busia🍭🦋🦚🧿 @QUEEN FRANKA official🧿🌹🌹

♬ original sound – Broda Sammy Nation worshipper

Yvonne Nelson eats fufu for the first time in her life at age 40

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Veteran Ghanaian actress and filmmaker Yvonne Nelson has stirred conversation on social media after sharing a video of herself trying a popular Ghanaian dish for the first time.

On Monday, March 16, 2026, the actress posted a video on her official Instagram page documenting her visit to Peduase Valley Resort.

In the video, the 40-year-old actress appeared excited as she made her way into the kitchen area, where she observed a chef preparing fufu — a traditional Ghanaian dish made from pounded cassava and plantain.

Holding a white bowl, Yvonne Nelson watched closely as the fufu was pounded using a pestle and mortar before being served with soup.

Dressed in a short-sleeve top and a patterned skirt, complemented by stylish bracelets, the actress initially struggled with the meal, opting to use a fork.

However, she later switched to the traditional method of eating with her hands and appeared to enjoy the experience.

After tasting the meal, Yvonne Nelson gave a positive review, expressing satisfaction with her first encounter with the dish.

The video quickly attracted attention online, with fans flooding the comment section to share their reactions.

While some expressed surprise that the Ghanaian actress was trying fufu for the first time, others praised her for embracing the cultural experience.

VIDEO: Zion Felix Criticises Lil Win Over ‘DNA’ Publicity Stunt; Says It Was Below Belt

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Award-winning Ghanaian blogger Zion Felix has strongly criticised Kumawood actor Kwadwo Nkansah Lil Win following revelations that his recent DNA claims were part of a publicity stunt.

The backlash stems from a viral TikTok Live session in which Lil Win claimed he had conducted a paternity test that revealed one of his five children, whom he had raised for about nine years, was not his biological child.

The actor stated at the time that although he was hurt by the results, he chose not to react angrily and would continue to care for the child.

His comments quickly sparked widespread reactions online, with many Ghanaians speculating about the identity of the child, even going as far as analysing photos of his children.

However, in a statement released on Sunday, March 15, 2026, Lil Win’s management debunked the claims, explaining that the DNA narrative was not real but rather a marketing strategy to promote his upcoming movie titled DNA, which is set to premiere on his official YouTube channel.

Reacting to the development, Zion Felix did not hold back in condemning the actor’s approach, describing it as inappropriate and insensitive.

“DNA is not something to joke with. There are so many things you could have used to promote his movie and not this sensitive topic,” he said.

The blogger further expressed concern about the impact of the stunt, noting that it led to unnecessary public scrutiny of Lil Win’s children.

“Immediately you made those statements, people began pulling up photos of your kids to know which one is not yours, which is very bad,” he added.

Zion Felix also questioned why an established figure like Lil Win would resort to such tactics.

“You are not an underground actor; you have the following, so there was no need to do what you did,” he stated.

@zionfelixtv

Dear Lilwin, Some “Silly” Jokes Are Too Expensive…

♬ original sound – Zionfelixtv

Don’t Pretend You Haven’t Seen The Hardwork And Impact Of Cojo Rae – Dan Lartey Tells TGMA Board

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Leading music industry gatekeeper and CEO of Remedi Entertainment, Mr Dan Lartey has hinted at the bias being dished out against young talent and highlife Singer Cojo Rae after the neglect in categories at the nominees announcement of the 2026 Telecel Ghana Music Awards.

Charterhouse and The Telecel Ghana Music Awards on Saturday , announced nominations for all its categories which as usual sparked online conversations and critique.Many have opined that the scheme yet again missed out on nominating deserving works and overlooked deserving value creators in the year under review.

Reacting to the nominees announcement that excluded Young musician from any of the announced categories thus far, Dan Lartey took to his Facebook page to lament;

“TGMA 2026:

Cojo Rae’s Aketesia is one of the best Hiplife or High life songs released last year. The energy, originality, and effort behind the record cannot be ignored.

The young man truly deserves recognition in categories like Hiplife or High Life Song of the Year and New Artiste of the Year.

Let’s not pretend we haven’t seen the hard work and impact he has put in over the past year. Talent and dedication like that deserve a place on the nominations list”.

The PRO of charterhouse,Robert Klah responding to questions surrounding these exclusions on Hitz FMs Daybreak Hitz morning show stated that all artist currently not in motivation may have been shortlisted by the board but fell short in their final listings and ratings.

He also spoke on their introduction of a new swing period that allows special nomination period for works that may have fallen out of the awards widely known calendar timeframe.

Ghana’s Churches and the Economy: Why the Hardest Development Question Can No Longer Be Avoided

In Ghana, few institutions command public trust like the church. Across generations, churches have built schools, clinics, hospitals, scholarships, and welfare systems that continue to support national development where public systems often struggle. Institutions linked to the Christian Council of Ghana and the National Catholic Secretariat remain among the country’s strongest non-state contributors to human development.

That record deserves respect.

But respect should not prevent difficult national questions.

At a time when unemployment is becoming one of the most serious pressures on national stability, the country must ask whether major faith institutions should remain almost entirely outside productive enterprise while their social influence continues to expand.

This is not an argument against worship. It is an argument about development priorities.

Across many towns and cities in Ghana, large auditoriums, cathedrals, prayer centres, and convention grounds continue to rise. They are often financed through disciplined giving, multi-year fundraising, and highly organized internal administration. That same administrative capacity proves one important point: churches already manage complex capital systems successfully.

The harder question is why similar institutional discipline rarely enters productive sectors capable of employing young people.

The labour numbers are no longer abstract. According to recent data from the Ghana Statistical Service, about 1.34 million young people aged 15–24 were not in employment, education, or training in the third quarter of 2025, representing 21.5% of that age group, while youth unemployment in that same bracket reached 34.4%.

The broader picture is even more troubling: 1.9 million youth aged 15–35 were already classified as NEET in earlier national labour reporting, showing that the problem is not temporary but structural.

This is where the church enters the economic conversation—not as a profit-seeking institution, but as a potential social enterprise actor.

A church is legally non-profit, yes. But non-profit does not mean economically passive.

Universities, hospitals, charities, and foundations across the world run revenue-generating ventures whose surpluses fund public missions. A church-owned cassava processing centre, poultry value chain, technical fabrication hub, pharmaceutical distribution unit, or garment production cooperative would not violate non-profit status if returns are reinvested into education, health care, scholarships, and welfare.

That distinction matters.

Because right now, the development contradiction is becoming harder to defend: institutions capable of mobilizing millions for buildings often remain absent from local production systems that could directly employ their own youth.

The issue becomes even sharper when unemployment begins showing signs of security pressure.

In late 2025, six people died during a military recruitment stampede in Accra after a surge of applicants overwhelmed the process. The tragedy exposed how severe competition for limited formal employment has become.

When thousands compete for a few hundred positions, unemployment stops being a private household issue. It becomes a national stability issue.

This is why the debate should not be framed emotionally as “churches versus factories.” It should be framed strategically: can faith institutions deploy part of their land, organizational discipline, and social trust into productive systems that preserve dignity through work?

Many churches already own undeveloped land in peri-urban and rural communities. Some operate schools with strong governance systems. Some manage transport fleets, conference facilities, and healthcare institutions. Those same capacities can support agro-processing, vocational manufacturing, storage systems, or industrial cooperatives linked to local supply chains.

The strongest objection usually says: “The church’s mission is spiritual.”

But poverty has material consequences.

An unemployed graduate does not experience economic hardship spiritually alone. A farmer without processing access does not suffer symbolically. A young person excluded from opportunity becomes vulnerable to migration pressure, criminal recruitment, and political frustration.

Faith cannot remain indifferent to production when livelihoods are collapsing.

The next frontier of church-led development in Ghana may therefore not be another larger auditorium.

It may be a disciplined, transparent, non-profit production model where economic activity serves social mission.

The country does not need churches to become corporations.

It needs them to ask one harder question:

If faith can mobilize people this effectively every week, can some of that power also build systems that create work?
KOFI ADJEI YEBOAH
(KAY)
0243519495

R2Bees’ “Over” Attains Number One Spot On UK Afrobeats Chart

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Ghanaian music duo R2Bees have fresh reason to celebrate as renewed attention around their track “Over” continues to gather momentum years after its release. Nearly a decade on, the song has surged to the top of the Official UK Afrobeats Chart.

The track had already been gaining ground on the chart in recent weeks. It sat at number two the previous week before finally pushing its way to the number one position in the latest ranking. Its steady climb reflects the song’s growing streaming numbers and sustained popularity among Afrobeats listeners in the United Kingdom and beyond.

Another striking detail about the song’s resurgence is its longevity on the chart. “Over” has now spent 11 consecutive weeks on the Official UK Afrobeats Chart, an impressive run for a record that first came out several years ago. The achievement highlights how the track has found a new generation of listeners while continuing to resonate with longtime fans.

The song was produced by Killbeatz and was originally released on September 20, 2017. For a song from that era to return and claim the number one spot in 2026 emphasises its enduring appeal and the lasting influence of R2Bees within the Afrobeats scene.

READ ALSO: ‘It Takes Extra Effort’ – Gyakie Laments Challenges for Female Artistes

In Ghana, the news has been met with excitement across the music community. Fans, fellow musicians, and industry figures have taken to social media and other platforms to congratulate the duo, celebrating the moment as another sign of Ghanaian music’s continued global reach.

“I Can’t Spend Even 2% of My Wealth”- Mr Richard Nii Armah Quaye Talks About His Net Worth

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The founder of Bills Micro Credit, Richard Nii Armah Quaye, has revealed that his growing wealth has made it difficult for him to spend a significant portion of his money.

Speaking in a video that has circulated on X, the renowned entrepreneur disclosed that he now spends far less than he used to because his net worth has increased substantially over the years.

According to Richard Nii Armah Quaye, he previously spent close to 20 percent of his income when his business was still developing. However, as his profits and wealth expanded, maintaining the same level of expenditure became impossible.

“I am spending below 20 percent of my income. In fact, where I’ve gotten to in life, when I started, I was almost around the 20 percent borderline — always within 20 percent and 19 percent,” he explained.

He added that even when he allocates a smaller percentage of his wealth for personal spending, he still struggles to use all of it.

“But as I go forward and my profit becomes bigger, now I can take 2 percent of my wealth, and I can’t even spend it,” he said.

From the footage circulating online, the businessman appeared to be speaking at an event held in what seemed to be a church setting, addressing a congregation about financial discipline and wealth growth.

His remarks have since sparked discussions on social media, with many users sharing varying reactions to the entrepreneur’s comments about wealth management and spending habits.

Gospel Musician Brother Sammy Announces End Of Marriage To Obaa Yaa

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Ghanaian gospel musician Brother Sammy, known in private life as Samuel Opoku, has revealed that his marriage to his France-based wife, Obaa Yaa, has officially come to an end.

The controversial gospel singer disclosed this information to the public during an appearance on United Showbiz on UTV Ghana on Saturday, March 14, 2026.

According to Brother Sammy, the divorce was initiated by his wife and not by him.

“I haven’t ended my marriage. It is I who has been divorced,” the singer explained during the interview.

The musician recounted that he first learned about the development while performing at a musical event in Manso during the Christmas period.

He said the head of his family called him to inform him that the customary drinks used during their traditional marriage had been returned by his wife’s family from France, signalling her intention to dissolve the marriage.

According to him, his family initially refused to accept the returned drinks until they had spoken with him about the situation.

Brother Sammy explained that after returning home, his family organised a meeting with his wife’s family to discuss the matter.

However, he said his wife did not attend the meeting in person. Instead, she reportedly confirmed her decision to end the marriage during a phone call.

“During our conversations, they said that my wife instructed them to return the drinks,” he said.

The gospel singer noted that his wife did not provide any specific reason for her decision to end the marriage.

The development has since generated discussions among fans and followers of the outspoken musician, who is known for his candid remarks in public interviews.

Lil Win’s Management Finally Clarifies Viral DNA Test Claim

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The management of Ghanaian Kumawood actor Kwadwo Nkansah, popularly known as Lil Win, has issued a statement addressing the viral claims about a DNA test involving one of his children.

Recall that during a TikTok live session on Thursday, March 12, 2026, Lil Win spoke with media personality Kwame Gee and TikTok personality Trouble Carlos, where he stated that he had conducted a paternity test which revealed that one of the five children he had raised for about 10 years was not biologically his.

The actor did not disclose the identity of the child but explained that the child was unaware of the situation.

He also stated that despite the painful discovery, he would continue to care for all his children as he had done over the years.

The revelation quickly went viral on social media, with many Ghanaians speculating about which of the actor’s children might have been affected.

In a press release signed by his management and shared on Lil Win’s official Instagram page on Sunday, March 15, 2026, the team clarified that the DNA test claims were not based on a real-life event.

According to the statement, the story was part of a promotional campaign for the actor’s upcoming movie titled DNA.

“We wish to state categorically that these claims are completely not a reflection of a true and real incident. This is strictly a showbiz marketing strategy designed to promote Lil Win’s highly anticipated upcoming movie titled ‘DNA,’ which will be premiered exclusively on Wezzyempire TV on YouTube,” the statement said.

The management further explained that the discussion about the DNA test was related to the storyline of the movie and should not be interpreted as something happening in Lil Win’s personal life.

The film is expected to feature several actors, including Lil Win’s protégé Sweet Mimi and veteran actress Eunice Banini.

Lil Win’s management also emphasised that the actor remains happily married to his wife, Maame Serwaa, and continues to raise his children.

They urged the public to disregard the earlier interpretations of his comments and view them within the context of entertainment promotion.