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Kwame Ohene Frimpong Detained At Amsterdam Airport, Parliament Confirms

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Fresh concerns have emerged over the status of Asante Akyem North MP Kwame Ohene Frimpong after Parliament confirmed he is being held at Schiphol Airport in Amsterdam, Netherlands.

The issue, according to Parliament, is already under active attention at the highest level of the House. In a statement signed by Clerk to Parliament Ebenezer Ahumah Djietror, parliamentary leadership acknowledged the incident and said steps were being taken to establish the full facts.

The statement explained that the Rt Hon Speaker together with leaders of Parliament is currently engaging Ghana’s diplomatic mission in The Hague as part of efforts to gather detailed information about the detention.

READ ALSO: Ibrahim Mahama Gifts Xenophobia Victim GH¢200K, Promises Cement And Hardware Business Support

“The public will be duly informed appropriately on this matter,” the statement said.

Officials, however, have not yet revealed what led to the detention, leaving several questions unanswered as authorities continue their engagements.

See the statement below.

Stonebwoy Named As Complainant In Arrest Case Of Shatta Wale’s Fan

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Questions surrounding the arrest of social media commentator and diehard Shatta Movement supporter WebkidAfrika, known privately as Abdul Gafaru Sadi, have taken a new turn after his lawyer identified Stonebwoy as the complainant in the case.

Speaking on Asempa FM on May 11, 2026, the lawyer disclosed that his client is currently facing four charges tied to alleged online publications and conduct. According to him, the charges include publishing false information about the Afro-dancehall artiste, offensive behaviour, and actions likely to disturb public peace.

The lawyer explained that the charge sheet listed Livingstone Etse Satekla, popularly known as Stonebwoy, as the complainant. He added that the musician, described in the document as a resident of Adjirigano, was specifically named in the case filed against the blogger.

The claims, however, appear to clash with comments earlier made by Stonebwoy’s public relations representative, Vida Adutwumwaa, who denied suggestions that the musician orchestrated the arrest.

READ ALSO: It’s Not Within Stonebwoy’s Power To Arrest Anyone – Vida Adutwumwaa

During a conversation with ZionFelix at the 2026 edition of the Telecel Ghana Music Awards on May 9, Vida maintained that security authorities acted on their own and that linking the arrest directly to Stonebwoy was inaccurate.

She indicated that the musician had no authority to order anyone’s arrest, insisting that all they became aware of was a court directive that eventually led to WebkidAfrika being picked up by authorities.

Vida also suggested that the blogger’s own conduct on social media may have contributed to his troubles. She alleged that he had repeatedly targeted prominent personalities online, including the Asantehene, and argued that the public should not immediately conclude that Stonebwoy was behind the incident.

Listen to the lawyer’s statement below.

Tayst Drops ‘Tie & Die’, A Powerful Blend of Love, Culture, and Ghanaian Identity

UK-based Ghanaian songwriter Tayst, born John Boachie in real life, is steadily carving a name for himself in the music scene with a blend of cultural storytelling and modern Afro-inspired sound.

He began his musical journey a few years ago and quickly started gaining attention for his style and collaborations. One of his early notable appearances was on a track featuring Ghanaian entertainer Tic Tac and Akuapem Poloo, titled “Sexy Poloo,” which helped introduce him to a wider audience.

Tayst is now back with a new single titled “Tie & Die,” a song that draws inspiration from one of Ghana’s most iconic textile traditions.

“Tie & Die” is built around the cultural meaning of Ghanaian tie and dye fabric, known for its vibrant colours, handcrafted patterns, and deep symbolic identity. In the song, Tayst uses the fabric as a metaphor for love that is intentionally created, carefully shaped, and designed to endure.

READ ALSO: Inside the Spectacle: How INEN Limited Transformed Dr. Ernest Ofori Sarpong’s 60th Birthday Into a Living Masterpiece

The concept is layered. “Tie” reflects unity, bonding, and emotional connection between partners, while “Die” represents sacrifice, emotional struggle, and the realities that come with sustaining love over time. Together, the imagery suggests that relationships, like fabric, are shaped by pressure, effort, and experience, leaving behind lasting patterns that cannot easily be erased.

In the official video, Tayst delivers a heartfelt portrayal of affection and commitment. The storyline follows a relationship built on patience, understanding, and genuine emotional connection, highlighting how love matures through shared experiences.

The visuals are rich with African-inspired colours, textures, and aesthetics, reinforcing the cultural roots behind the concept. Romantic scenes are blended with traditional artistic elements, creating a fusion of modern love storytelling and African identity.

“Tie & Die” ultimately positions Tayst not just as a musician, but as a storyteller who uses culture as a lens to explore human emotion.

Enjoy it below.

Inside the Spectacle: How INEN Limited Transformed Dr. Ernest Ofori Sarpong’s 60th Birthday Into a Living Masterpiece

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When Ghanaian business magnate Ernest Ofori Sarpong celebrated his 60th birthday on May 5, 2026, the evening became far more than a birthday party. It unfolded as a cinematic experience layered with luxury, performance, emotion, and immersive design. At the center of that transformation was INEN Limited, led by renowned event designer Christal Beeko.

Hosted at the iconic Despite Automobile Museum, the celebration quickly became one of the most talked-about private events of the year, dominating social media timelines with breathtaking visuals, celebrity performances, and unforgettable production moments.

But beyond the fireworks and star-studded guest list was a carefully orchestrated design story crafted by INEN Events.

A Venue Reimagined Through Luxury Design

From the moment guests arrived, the experience felt intentional.

The entrance featured a black carpet arrival framed by a luxury photo backdrop, immediately setting the tone for the evening. Live saxophone melodies floated through the air while aquatic dancers performed inside the fountains closest to the main building, transforming the museum exterior into a theatrical dreamscape. Along the long fountain runway, fire spitters created bursts of flame that illuminated the arrival path with dramatic flair.

Inside, the décor embraced a refined gold-themed aesthetic layered with modern elegance. Lavish floral installations, ambient lighting, candlelit tablescapes, and elevated staging transformed the venue into a luxury celebration environment worthy of the milestone.

Every detail carried the signature of intentional storytelling.

Entertainment as Living Décor

What distinguished the event was how entertainment became part of the visual architecture itself.

Rather than separating décor from performance, INEN fused both elements into one continuous sensory experience.

During cocktail hour on the museum’s second floor, guests interacted with silver-themed performers including a “living statue” holding a glowing “Happy Birthday” sign, silver dress dancers, and towering stilt walkers who moved through the crowd like sculptural art pieces.

Guests were then ushered into the main hall table by table through curated pathways accompanied by live guitar melodies, creating an elegant transition into the grand dining experience.

As attendees entered the seating area, pedestal dancers welcomed them while rooftop dancers performed above the glass structure, creating movement both within and above the room. The effect was immersive, almost cinematic, giving guests the feeling of stepping inside a luxury production rather than attending a conventional birthday celebration.

A Carefully Layered Celebration Experience

The evening’s programming flowed with precision.

The celebration opened with the grand entrance of Dr. Ofori Sarpong and his family, followed by emotional tribute speeches from family, friends, and PRESEC representatives. Shortly after, the energy shifted as DJ Vyrusky launched the first dance segment of the night.

From there, the event evolved into a full-scale entertainment showcase.

Samba dancers energized the crowd before live performances from Akwaboah and Kwabena Kwabena filled the venue with soulful highlife sounds. Throughout dinner service, guests enjoyed curated cuisine from Food Bank Ghana and Menscookgh while live music continued in the background.

One of the most memorable moments came during the cake-cutting ceremony. With celebratory flares lighting the room and music swelling across the venue, the atmosphere became electric. The emotional high continued as performances from Becca, Kojo Antwi, Samini, and Stonebwoy turned the night into a full celebration concert experience.

The Rolls-Royce Reveal and Fireworks Finale

Among the night’s biggest highlights was the unveiling of a customized 2026 Rolls-Royce Cullinan Mansory edition, which immediately became one of the event’s most viral moments online.

As midnight approached, guests were guided outdoors for a grand fireworks display that crowned the evening with explosive brilliance. Music swelled, cameras flashed, and the sky above the museum became the final canvas of the night.

A Defining Moment for Luxury Events in Ghana

Social media reactions following the event praised not only the scale of the celebration, but the level of sophistication behind its execution. Many described the birthday as one of the most luxurious private events Ghana has seen in recent years.

For INEN Events (www.inenportfolio.com), the celebration represented more than event planning. It was an exercise in immersive storytelling, experiential design, and luxury production.

Under Christal Beeko’s creative leadership, the team transformed a milestone birthday into a multi-sensory experience where décor, entertainment, lighting, music, and movement worked together seamlessly.

At the Despite Automobile Museum, every corner told a story. Every transition carried intention. And every guest became part of the spectacle.

Ibrahim Mahama Gifts Xenophobia Victim GH¢200K, Promises Cement And Hardware Business Support

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Business mogul, Mr. Ibrahim Mahama has offered to set up a cement distribution including construction hardware depot for xenophobia victim, Emmanuel Asamoah.

This comes days after he assured the Minister for Foreign Affairs of his support. At a meeting held in his office together with Ghana’s High Commissioner to South Africa, Mr. Mahama made a passionate appeal to Ghanaians living in South Africa to return home and contribute meaningfully to national development through employment opportunities in his company, based on their skill sets. He called on Ghanaians facing hardship abroad to return home to venture into business or learn a trade and he’s willing to support.

In a remarkable gesture of support, Mr. Ibrahim gifted Emmanuel Asamoah GH¢200,000 to enable him take a one-month break to reunite with his family before returning to Accra to start his new business.

Emmanuel Asamoah voluntarily decided to venture into the hardware business, leaving behind his nails and hairdressing business in South Africa.

Mr. Ibrahim Mahama commended Ghana’s High Commissioner for his dedicated service and commitment to the welfare of Ghanaians in South Africa.

Mr. Ibrahim encouraged Emmanuel Asamoah to remain strong, disciplined and focused as he embarks on this new chapter of his life.

I did not want KiDi on my ‘Ohemaa’ song – Kuami Eugene

In a candid revelation that has sent ripples through the Ghanaian music industry, Afrobeat sensation Kuami Eugene has disclosed that his 2019 chart-topping hit, “Ohemaa,” was almost a solo effort.

Speaking in a recent interview with Headless YouTuber, the “Rockstar” opened up about the behind-the-scenes friction regarding the track, specifically his initial refusal to feature his then-label mate, KiDi.

According to Eugene, the decision to include KiDi on the record was not his own, but rather a directive from his record label. Despite his vocal reluctance, the singer says he was “compelled” by the label to add the feature.

“Sometime ago, we were at the studio having a conversation and then they said I need to put KiDi on Ohemaa, and I said I won’t do it. I don’t want to have KiDi on Ohemaa, and the label says it’s needed, I have to do it. So I had to do it,” Eugene shared.

The tension didn’t end in the studio. Eugene recounted warning the label that if he went for interviews, he would be honest about his lack of creative control over the collaboration. He claims the label jokingly encouraged him to speak his mind, a move they would soon regret.
Staying true to his word, Eugene mentioned his reluctance in his very first interview following the song’s release. The honesty sparked immediate online chatter, forcing the label into “damage control” mode.

“They jokingly said I should go and say it, and when I went, that was the first thing I said. And they were like ‘eii’, so we had to do damage control quickly and post KiDi and me together to cover it quickly,” he disclosed.

Explaining the root of his hesitation, the “Monica” hitmaker emphasized that his resistance wasn’t personal toward KiDi, but rather a matter of artistic integrity. He felt “Ohemaa” was already a “complete, beautiful song” and didn’t want any additional “touch on it.”

Kuami Eugene Opens Up About Growing From One Pair Of Sneakers To Owning A Room Full Of Shoes

Ghanaian musician Kuami Eugene has shared details about his difficult upbringing and how it shaped his current lifestyle and spending habits.

Speaking in an interview with Headless YouTuber, the award-winning singer revealed that he wore only one pair of sneakers throughout his entire senior high school education.

According to him, the experience deeply affected him and motivated him to work hard so he could one day afford the things he lacked growing up.

“If you come to my house, I have an entire room full of shoes. I have so many sneakers I can’t even count them,” he said.

He explained that his friends often question why he buys so many sneakers, but he always reminds them of the struggles he endured during his school days.

Kuami Eugene noted that he made a personal promise that if God ever blessed him financially, he would buy as many shoes as he wanted.

The singer said that dream has now become reality, adding that he has developed a strong love for both sneakers and cars.

The musician also opened up about his passion for luxury cars, revealing that he used to watch his colleagues drive past him before fame and success changed his life.

“It got to a point where people were saying I didn’t know what to use my money for because I was only buying cars,” he shared.

According to him, purchasing cars is his way of appreciating how far he has come and acknowledging God’s blessings in his life.

Kuami Eugene further disclosed that after releasing his breakthrough hit song Angela, he became worried about whether he would ever produce another successful song.

He said the fear of losing relevance pushed him to become financially disciplined.

The singer explained that instead of spending excessively on luxury items such as chains and watches, he focused on saving and investing in land.

According to him, whenever his savings reached around GH¢50,000, he purchased plots of land as a backup plan in case his music career slowed down in the future.

Prophet Fire Oja’s Negtaive 2025 Prophecy About Black Sherif Fails Following His Second TGMA Artist Of The Year Win

An old prophecy made about Ghanaian musician Black Sherif by preacher Prophet Fire Oja has resurfaced online, igniting widespread reactions on social media.

In a video originally shared in January 2025, Prophet Fire Oja predicted that Black Sherif’s music career would decline from that year onward.

According to the clergyman, the musician would stop producing hit songs and face serious setbacks in his career.

The preacher further claimed that “evil forces” had spiritually interfered with the artist’s gift.

He alleged that Black Sherif’s tongue, the source of his songwriting ability and music success, had been spiritually replaced.

A development he claimed could negatively affect the singer’s future in the music industry.

Prophet Fire Oja also stated that the musician’s career could only survive with intervention from powerful men of God.

The prophecy has resurfaced following Black Sherif’s recent success at the Telecel Ghana Music Awards, where he emerged as Artiste of the Year.

Many social media users have since pointed to the achievement as evidence that the prophecy did not come to pass.

Black Sherif Eyes Historic Third TGMA Artiste Of The Year Win After Latest Triumph

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Not long after reclaiming the coveted Artiste of the Year crown at the 2026 Telecel Ghana Music Awards, Black Sherif is already setting his sights on an even bigger milestone. The award-winning musician believes a third victory is well within reach, insisting that the grind has not slowed down despite his latest success.

During an interview with Cookie Tee on TV3, the “Iron Boy” composer opened up about the possibility of becoming the first Ghanaian artiste to win the Artiste of the Year award three times.

For Black Sherif, the recent triumph is not a signal to relax. Instead, he says it has only pushed him to work even harder.

According to him, barely hours after lifting the prestigious award in the early hours of Sunday morning, he had already resumed work the next day.

“It’s possible, most definitely possible. Cause am still working, I’m back to work. We won the award Sunday dawn, back to work Monday, we are still working. It’s hundred percent possible,” he stated.

READ ALSO: Dr Like’s Show At O2 Indigo Sold Out Weeks Before The Event

The artiste explained that staying consistent remains his biggest priority, adding that there is no time to become complacent after achieving another major career milestone. He believes that same determination and discipline could eventually earn him a historic third Artiste of the Year title.

The discussion came up after Cookie Tee highlighted the fact that while a few Ghanaian music icons have managed to win the award twice, none has ever secured it for a third time.

“No artiste in Ghana so far has won Artiste of the Year three times; you’ve now joined a number of legends like VVIP, like Sarkodie, like Stonebwoy who have won it twice. Is Iron Boy Blacko going to win the artiste of the year for the third time?” the host asked.

Before Black Sherif’s latest triumph, only VVIP, Sarkodie and Stonebwoy had recorded multiple Artiste of the Year wins at the TGMAs.

@tv3gh_official "It is 100% possible for me to win Artiste of the Year for the third time." – @blackosherif ♬ original sound – TV3 Ghana

Dr Like’s Show At O2 Indigo Sold Out Weeks Before The Event

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With barely two weeks left before showtime, Ghanaian comedian and actor Dr Likee has every reason to celebrate after tickets for his highly anticipated London event officially sold out.

The upcoming event, dubbed “Dr. Likee Live – A Night of Comedy, Music & Stage Play,” is scheduled for May 22, 2026, at Indigo at The O2.

The sold-out feat reflects the growing global appeal of Dr Likee, whose comic skits and movie productions have earned him a loyal audience over the years. The event is expected to deliver an energetic mix of comedy, live music and stage drama, creating an experience designed to keep audiences entertained throughout the night.

READ ALSO: GTA To Provide Dr Likee With Two Free Flight Tickets To London For His Show

Adding even more excitement to the programme is a lineup packed with familiar faces from Ghana’s entertainment industry. Veteran actor Akrobeto, celebrated actress and television personality Nana Ama McBrown, as well as actor Papa Kumasi are all expected to make appearances, giving patrons a full blend of comedy, nostalgia and stagecraft.

In the build-up to the event, Dr Likee and his team intensified promotion across social media and other platforms, pushing the show heavily to ensure strong attendance. Their efforts appear to have paid off, with tickets fully snapped up ahead of the event date.

Fans who secured seats are expected to witness a night packed with laughter, performances and dramatic stage moments as Dr Likee takes his brand of entertainment to one of London’s notable venues.